Olivia Foa’i: Tūmau Pea (digital outlets)

 |   |  1 min read

Olivia Foa’i: Tūmau Pea (digital outlets)

We sometimes seem to have a curiously ambivalent relationship with some artists who leave the country and become successful overseas. Because they are not around – performing or to promote their work – their albums can go right past us.

We could look to Margaret Urlich and Sharon O'Neill whose albums The Deepest Blue and Edge of Winter respectively failed to catch fire here despite them being household names and acclaimed just a few years previous.

But they had relocated to Australia so seemed to be off our radio radar.

Australia-based Foa'i (of the Te Vaka family) has been moderately successful in terms of local profile – so she should, she was a key vocalist on the Moana soundtrack – but not really cracked it as you think she could for her solo work.

She won Best Pacific Artist in 2020 (among other awards) for her debut album Candid of which we said. “Candid's sophisticated blend of traditional and contemporary sounds -- check Hau La by way of example -- comes off like the perfect soundtrack under summer skies”.

This year she picked up Pacific Music awards for her Sunlight single. That song and her Tokelau-language Mai Anamua (the theme to the award-winning documentary Pacific Mother) are both included on this excellent second album.

Tūmau Pea (“everlasting”) bridges thoughtful slo-mo soul and trip-hop, aiming for a mainstream, contemporary R'n'B audience with slippery songs (the understated Party For 1) and the immediately grabbing Sunlight.

Nada is a slow-jam steamer, there's subtle Pasifika (Tomorrow Can Wait) and the kind of conversational delivery more common among jazz singers (Morning Prayer).

Tūmau Pea – which addresses her life as a touring musician in the title track – might lack the requisite banger which R'n'B demands but this nine-song collection is classy, consistent pop of rare intimacy with something to say (Myriagon/No Photos Please).

Time for Olivia Foa'i – respected and acclaimed in Pasifika music -- to reach a wider audience than she has so far. 

.

You can hear this album at Spotify here



Share It

Your Comments

post a comment

More from this section   Music at Elsewhere articles index

Rosanne Cash: The List (EMI)

Rosanne Cash: The List (EMI)

Of all the songs Johnny Cash recorded in his final years the most moving was September When It Comes on his daughter Rosanne‘s album Rules of Travel: “I cannot move a mountain... > Read more

The Milk Carton Kids: Monterey (Anti)

The Milk Carton Kids: Monterey (Anti)

As their name suggests, the LA duo of Kenneth Pattengale and Joey Ryan are sensitive guys with a strong measure of empathy. It also cannot go without being said that they evoke the spirit of... > Read more

Elsewhere at Elsewhere

WE NEED TO TALK ABOUT . . . BILLY NICHOLLS' WOULD YOU BELIEVE: Care for Pet Sounds inna English accent, guv'nor?

WE NEED TO TALK ABOUT . . . BILLY NICHOLLS' WOULD YOU BELIEVE: Care for Pet Sounds inna English accent, guv'nor?

In the second part of his 2002 autobiography 2Stoned, Andrew Loog Oldham – manager and sometime producer of the young Stones, founder of Immediate Records and more – wrote about the... > Read more

Mark Knopfler: Why the long face, son?

Mark Knopfler: Why the long face, son?

When former Dire Straits man Mark Knopfler came to New Zealand to play in 2005 I read the interview in the Herald about his terrible motorcycle accident . . . and burst out laughing. Not... > Read more