David Kilgour and Sam Hunt: Falling Debris (Arch Hill)

 |   |  1 min read

David Kilgour and Sam Hunt: Every Time It Rains Like This
David Kilgour and Sam Hunt: Falling Debris (Arch Hill)

As we all know, song lyrics are rarely poetry -- and conversely poems, especially contemporary poems which don't bother with rhyme schemes, can't often be readily adapted into the service of a song.

Singer-guitarist David Kilgour of the Clean here takes some of Sam Hunt's poems (despite the attribution, Hunt's distinctive sing-song voice isn't heard here) and works them into a breezy folk-rock with a little guitar jangle. But there's a musical and emotional restraint throughout that doesn't always serve the lyrics -- although the consistent tone could doubtless have wide appeal, especially to those who have followed Kilgour's recent, and uniformly excellent, solo albums.

And his downbeat delivery throughout reminds me of the tone on Lloyd Cole's solo albums, a similarly off-hand story-telling and easy way with a lyric.

But Kilgour and Hunt together will inevitably throw up real gems and they are scattered throughout the song/poems (which are book-ended by a little sonic scene setting): the strum and easy melody of Every Time It Rains Like This which uses the title as the pivot; Talking of the Winter which could have slid easily into an earlier Kilgour album; and the Dylan-style settings of They Are Clouds and the acoustic A Summertime Blues for Tom.

Kilgour tells a good story about how this project came about, ("serendipity", he says, using a word I have always loved) and of course the attraction of Hunt's words is entirely understandable, they can be deeply engaging -- even if the musical setting Kilgour offers isn't always so (I Throw You Flowers, the rather lightweight melody offered the aggressive words of First One Hit, Friend to Many which again opts for melody over meaning).

So, uneven as might be expected when it comes to setting poetry to pop, but peppered with highlights nonetheless. 

Share It

Your Comments

Thorny - May 11, 2009

I liked the laid back style of the music which suits the Dylan like music. Great to have Sam Hunt in music though it would have been great to capture his singsong gravelly voice on some tracks. Very Kiwi story telling in our own way. Is good.

Tim - May 29, 2009

Love so much of what DK has done both solo and with various bands since the mighty mighty Clean. I do struggle a bit with the mismatch of music and lyrics (poems) on this though and it is a bit hit and miss. Thankful that only Sam's words feature - I've always thought his work is best taken in off the page rather than heard delivered by the writer.

post a comment

More from this section   Music at Elsewhere articles index

Asgeir: Afterglow (Inertia/Rhythmethod)

Asgeir: Afterglow (Inertia/Rhythmethod)

Given the genre – somewhere between orchestrated electronica, ambient and embellished folk – this second album from Iceland's Asgeir should grip at Elsewhere. But it just doesn't.... > Read more

Various Artists: Bowie Heard Them Here First (Ace/Border)

Various Artists: Bowie Heard Them Here First (Ace/Border)

The glue that barely holds this diverse 24-song collection together -- Paul Revere and the Raiders through Johnny Mathis, Lotte Lenya and Roxy Music -- is that these are the originals of songs... > Read more

Elsewhere at Elsewhere

Elsewhere Art . . . the iiii label

Elsewhere Art . . . the iiii label

Frankly this collage isn't up to much. It was done in haste (no excuse) because I had spent so much time listening through to a bunch of albums on Wellington's iiii label (which I wrote about... > Read more

Bon Jovi: Having a bar of it

Bon Jovi: Having a bar of it

My knowledge of Bon Jovi has always been limited, and even more so back in the early Nineties when all I could conjure up for a pub quiz would have been "New Jersey, the cover of their... > Read more