Jimmy Webb and the Webb Brothers: Cottonwood Farm (Proper/Southbound)

 |   |  1 min read

Jimmy Webb and the Webb Brothers: Where the Universes Are
Jimmy Webb and the Webb Brothers: Cottonwood Farm (Proper/Southbound)

Anyone who has followed the career of the great songwriter Jimmy Webb (interviewed at Elsewhere here) will attest to two things: he crafts memorable material (all those hits for Glen Campbell, the gorgeous minimalism of The Moon's A Harsh Mistress made famous by Joe Cocker, the baroque McArthur Park) and he ain't much of a singer.

Like Burt Bacharach, you usually need to hear Webb's songs delivered by someone else.

Which means that this album on which he does sing mostly, but has the assistance of his alt.country rock sons (and his dad and daughter) polishes up much better and more interesting than many of his previous solo outings.

The ambitious title track is a 12-minute, multiple part narrative which Webb wrote in the Seventies but never recorded. It might have not had quite as much resonance back then as it does today: it is a reflective, sometimes sentimentally nostalgic, piece about the people on the land (his grandfather is the pivot) who work hard and are full of wisdom, but see their land taken and destroyed: "They paid grandaddy not to plant cotton . . . and they grew wheat until the wheat went rotten".

Sung in various places by Webb, his broke-voiced father and sons, it is a refracted epic that is quite remarkable in that it keeps your attention the whole way.

Elsewhere there is a confident, often orchestrally embellished, country-rock feel or those sprawling ballads that Webb favours, although ironically Mercury's in Retrograde here, which sounds like a Jimmy song, actually comes from his sons.

Webb raids his closet for his famous Highwayman, If These Old Walls Could Speak and the aching Where the Universes Are, and his sons cough up the rest (aside from the old Red Sails in the Sunset sung by his dad which closes things on a family note).

Webb is a sentimentalist (Cottonwood, If These Old Walls, A Snow Covered Christmas) but in this context he pulls it off, and although these songs are often embellished by strings, pedal steel and backing vocals until they become almost claustrophobic, Cottonwood Farm stands as the best album under Webb's name in a very long time. 

Share It

Your Comments

post a comment

More from this section   Music at Elsewhere articles index

RECOMMENDED REISSUE: Frank Black: Teenager of the Year (digital outlets/vinyl)

RECOMMENDED REISSUE: Frank Black: Teenager of the Year (digital outlets/vinyl)

The programme for releasing albums is much the same as it ever was: a drip-feed of singles, promotion and PR swing into action, interviews . . . The biggest difference between now and five or... > Read more

Various Artists: A Day in My Mind's Mind Vol 4 (Frenzy)

Various Artists: A Day in My Mind's Mind Vol 4 (Frenzy)

Although the recent initiative by recordedmusic.co.nz has brought some lost treasures (and some pretty ordinary music) back into public domain, this on-going compilation series pulls up some... > Read more

Elsewhere at Elsewhere

Elsewhere Art . . . Victor Young and Thom Yorke

Elsewhere Art . . . Victor Young and Thom Yorke

When Thom Yorke of Radiohead released his soundtrack to the new version of the old horror Italian film Suspiria, it was an opportunity to think about how soundtracks had changed over the decades.... > Read more

TRINITY ROOTS REMEMBERED (2005): Spirit in the dark, and light

TRINITY ROOTS REMEMBERED (2005): Spirit in the dark, and light

What set Trinity Roots (1998-2005) apart for me was their musical subtlety, the nuanced way they moved from what we might call roots folk and reggae through elements of waiata, jazz and pop to... > Read more