Various Artists: Do You Dream? (Angel Air/Southbound)

 |   |  1 min read

Outer Limits: Any Day Now
Various Artists: Do You Dream? (Angel Air/Southbound)

A few years ago I was invited to write the liner essays in a series of collections of New Zealand psychedelic Music (A Day in My Mind's Mind). What became clear was that from our end of the world where the relevant drugs arrived a bit later, musicians and producers invented their own idea of what psychedelic music was.

Mostly it was bent, often heavily phased, pop-rock with a little additive of English whimsy.

This 21-song collection subtitled "UK pop and psychedalia 1965-70 from the Angel Air catalogue" is similar in its early overs: Favourite Sons, Phillip Goodhand-Tait with the Stormsville Shakers, the Treacle (with future Spider From Mars guitarist Mick Ronson) and Outer Limits from '65-'66 all deliver effective pop-rock (with an edge of garageband r'n'b) and the "psychedelic" bit arrives in the form of fuzzed guitar solos -- and don't sound that far removed from New Zealand bands like Larry's Rebels, the La De Das and, particularly, the Fourmyula.

By the time '67 rolls around the tone and lyrics change considerably: ideas of suburban alienation among straights ("this is the story of a lonely man" proclaim Outer Limits on their Lennonesque Epitaph for a Non Entity) and backwards guitars arrive (The Rat's The Rise and Fall of Bernie Gripplestone).

That folksy whimsy appears on Circus' title track; The Alan Brown offer a version of All Along the Watchtower which is one part Moody Blues and another of The Crazy World of Arthur Brown; Affinity (two previous members of Ice) go a lightly trippy jazz-rock route on Night Flight then prog-rock on I Am the Walrus (courageous); and Ancient Grease from Wales get prog-lite'n'melodic on Time to Die.

There are two bands here who were actually well-known at the time: Family fronted by the distinctive quivering voice of Roger Chapman (here with the dramatic Weavers Answer) and Atomic Rooster (the demo of Devil's Answer from 1970).

This is an interesting more than essential collection -- but it does show how minds on both sides of the world were working with almost alarming similarity during this slightlydelic period. And trying to be trippy in under four minutes for the most part. 

Share It

Your Comments

post a comment

More from this section   Music articles index

Zoe Muth and the Lost High Rollers: Starlight Hotel (Signature/Border)

Zoe Muth and the Lost High Rollers: Starlight Hotel (Signature/Border)

Les alt. than country, Zoe Muth from Seattle invites favourable comparisons with Eilen Jewell and early Emmylou Harris, and a whole host of Nashville writers who are smart enough to still have... > Read more

Dean Wareham: Dean Wareham (Double Feature/Southbound)

Dean Wareham: Dean Wareham (Double Feature/Southbound)

When one-time Kiwi/longtime New Yorker Dean Wareham's former band Luna got to open for Velvet Underground at their brief reunion in '93 it must have semed like a dream come true: Luna owed a... > Read more

Elsewhere at Elsewhere

Otis Taylor: Pentatonic Wars and Love Songs (Telarc)

Otis Taylor: Pentatonic Wars and Love Songs (Telarc)

A copy of this album has been in and out of my player for at least two months and I assumed it had already been released some time back and I'd missed my chance to comment. But the amount of... > Read more

GUEST AUTHOR DAVID VEART argues toys are us

GUEST AUTHOR DAVID VEART argues toys are us

Although many of our toys were produced in factories, others came from the backyard shed and the kitchen table: trolleys, tin canoes, dolls' houses, dolls' clothes, soft toys, made by cash- or... > Read more