Marilyn Crispell, Richard Nunns, Jeff Henderson: This Appearing World (Rattle)

 |   |  1 min read

Crispell, Nunns, Henderson: Missed Children
Marilyn Crispell, Richard Nunns, Jeff Henderson: This Appearing World (Rattle)

These days it's not uncommon to see a Japanese restaurant offering “tapas”, people to speak of pan- Pacific fusion food (Japan-meets-Polynesia-meets-California?) or for one of the best Italian restaurants in Sydney to have a chef trained in New Zealand. (True, Lucio's in Paddington).

But if music be the food of love then let's talk about pan-Pacific fusion sounds where there are also no boundaries as we once knew them.

Today – when many people work in the margins between pop, rock, classic and jazz, when “alternative rock” has no meaning at all and “alt.country” has long since ceased to be a useful definition, there is still music which defies categories and remains defiantly “alt” by virtue of its odd fusions.

The 20-year old Rattle label out of Auckland has been consistently delivering music from the margins which enjoy a crossover audience (among its first releases were From Scratch and the guitar ensemble Gitbox Rebellion) and rather than drawing to the centre it has pushed further outwards.

These 13 short, free improvisations – recorded when US pianist Crispell was in New Zealand in 2008 – exist on the periphery of free jazz but, courtesy of Nunns' playing of traditional Maori instrument also suggest more ambient or impressionist soundscapes.

Henderson's woody reeds and gutsy saxes also ground this in an earthy and sometimes visceral place.

The aptly named Snow Grind evokes a slightly menacing woodland where snow comes up the top of the tyres; the barely-there Rumi Nation possesses a strange, natural world stillness and recalls Crispell's excellent One Dark Night I Left My House (a best of Elsewhere 2010 selection); Here Seas Peak is an eerily disembodied and almost ambient piece where Nunns and Henderson work off each other; Meat Ox opens with the sound of a conch call which seems to disappear into an echoing chasm of the piano before the brusque tone of scraping saxophone adds a terrifying quality . . .

The album comes with a 41 minute DVD of the performance and a 12 minute interview (directed and produced by Keith Hill an beautifully shot by Guy Quartermain and Tim Gummer)

Interestingly this album of improvised music doesn't appear on the Rattle Jazz imprint although two of the players may fairly be said to occupy that world.

But given the refined arthouse nature of its contents, its worldliness and other-worldiness, it is best let sit outside genre and expectation.

Perhaps demanding for some, but the DVD takes you right into the serious creative process and that feeling of being in the moment of creativity.

Share It

Your Comments

post a comment

More from this section   Music articles index

BEST OF ELSEWHERE 2008: James Hunter: The Hard Way (Universal)

BEST OF ELSEWHERE 2008: James Hunter: The Hard Way (Universal)

This Englishman with an unexpectedly soulful voice was one of the first artists posted at Elsewhere back in mid 2006 and that astonishing album People Gonna Talk was easily among the best of that... > Read more

Various Artists: What Did You Do in the Beat Era . . . Daddy!!!; Let Me Take You Down  . . . Under (both Frenzy)

Various Artists: What Did You Do in the Beat Era . . . Daddy!!!; Let Me Take You Down . . . Under (both Frenzy)

The signature sound of the Beatles – three guitars, three singers and a backbeat – so changed the musical landscape in the early 60s that artists everywhere scrambled to catch up and... > Read more

Elsewhere at Elsewhere

GUEST WRITER JEFFREY PAPAROA HOLMAN on the bard of the public bar

GUEST WRITER JEFFREY PAPAROA HOLMAN on the bard of the public bar

“The stage is good . . . it’s part of my page”. Somewhere, in one of the many clips of Sam Hunt coming off stage that flicker through the DVD The Purple Balloon And Other... > Read more

Charles Lloyd Quartet: Rado de Nube (ECM/Ode)

Charles Lloyd Quartet: Rado de Nube (ECM/Ode)

The rehabilitation and resurrection of saxophonist Lloyd is outlined elsewhere at Elsewhere (see tag) but in brief it goes like this: he made huge selling album in the late 60s which was embraced... > Read more