Soak: Before We Forgot How to Dream (Rough Trade)

 |   |  <1 min read

Soak: Hailstones Don't Hurt
Soak: Before We Forgot How to Dream (Rough Trade)

Over 11 songs and some ambient bits in just 43 minutes, Northern Ireland's 18-year old Bridie Monds-Watson – aka Soak, who played a short set at Golden Dawn in April – burns a subtle and very impressive trail which at times might call to mind This Mortal Coil, Lykke Li, throaty alt-folk and the earnest adolescent poetry some wrote for their highschool magazine.

However when the poetry comes up short (Blud) her voice is always compelling, intimate or assured by turns, and undeniably expressive in the context of piano, strings and a warm production.

She also knows her way around an effective pop structure (Sea Creatures with its reassuring sentiment, the propulsive folk of Garden), addresses adolescent anxieties with confidence (24 Windowed House) and does a very nice line in atmospheric ballads (Shuvels, Hailstones Don't Hurt).

She's considered a name to watch after her SXSW showing and you can hear how these songs could hush a crowd wanting to catch every nuance and word.

She almost seems nostalgic for a youth she's barely left, but also adds (on the mission statement Reckless Behaviour): “When you're young and reckless you should not be stopped”.

I doubt we could if we tried.

Share It

Your Comments

post a comment

More from this section   Music at Elsewhere articles index

BEST OF ELSEWHERE 2009 Lawrence Arabia: Chant Darling (Rhythmethod)

BEST OF ELSEWHERE 2009 Lawrence Arabia: Chant Darling (Rhythmethod)

In a blog at publicaddress.net about the 2009 Big Day Out I hailed the pop acts on the day while noting that in New Zealand we like pop music, but prefer it to come from somewhere else. We're a... > Read more

Hallelujah Picassos: Rewind the Hateman (HP/Rhythmethod)

Hallelujah Picassos: Rewind the Hateman (HP/Rhythmethod)

In one of the liner note essays here Ross Cunningham says when he first got a copy of Auckland band Hallelujah Picassos debut album Hateman in Love he kept playing it because "it sounded like... > Read more

Elsewhere at Elsewhere

DAMIAN MARLEY INTERVIEWED (2006): Maintaining the family standard

DAMIAN MARLEY INTERVIEWED (2006): Maintaining the family standard

The most common complaint from those who have stardom thrust upon them -- the tabloid coverage and paparazzi, the private chef serving you rather than some kid on minimum wage -- is that nothing... > Read more

MERMAIDENS, REVIEWED (2023): The arc of their covenant

MERMAIDENS, REVIEWED (2023): The arc of their covenant

Recently I interviewed Mermaidens' Gussie Larkin and Lily West for an extensive AudioCulture profile at the time of their fourth, self-titled album. At one point singer/guitarist Larkin said,... > Read more