Cowboy Junkies: All That Reckoning (Proper/Southbound)

 |   |  1 min read

Missing Children
Cowboy Junkies: All That Reckoning (Proper/Southbound)

When Canada's Cowboy Junkies arrived in the late Eighties with their quiet and contained Trinity Sessions album – recorded in hushed tones in a church -- the landscape of music was very noisy: hard metal, gangsta, stadium rock acts . . .

Cowboy Junkies' subtle blend of moody folk, alt.Americana, respect for early Elvis and a whisper of Velvet Underground seemed to create a fresh breathing space.

But there was a backstory to the band, their debut album Whites Off Earth Now!! had been a sometimes blazing blues-edged outing, most of it at some distance from what they became for Trinity Sessions.

That other end of the spectrum however was something they would sometimes return to, and doubtless it cost them an audience among those who loved the whole background/dinner-party sound of Trinity Sessions, the album you could play but also talk over.

Elsewhere followed their career with interest (but did weary of so many live and compilation albums) and considered their 2007 album At The End of Paths Taken one of the best of that year.

For well over a decade the members have also gone their own ways into side projects and family life.

But this occasionally thrilling album manages to bring together many of their best threads: Margo Timmins' distinctively deep and intimately whispering vocals (although at times conveying a Patti Smith sneer as on the dense Missing Children); Michael Timmins' pointed and adult songwriting (politics, family, cynicism, fragile relationships); that hard rock edge they could deliver (the grinding and searing Sing Me a Song); their unique take on alt.folk and even neo-psyche rock. . .

There's brutal reality here too: Shining Teeth opens with “don't wanna see your shining teeth, show me your bruised and battered arms, prove to me that you'll be true, let me touch the wounds that haunted you . . .”

The title track dissects the emotion of a relationship with forensic objectivity, the first part which opens the album is one of their downbeat and moody pieces, the second version towards the end blazes with raging and discordant guitars as Margo channels her more powerful soul-blues style on the same lyric.

The shifts in musical styles, effects (backward guitars, fiddle etc), dynamics (quiet-loud) and emotions here make for an album which seduces and challenges in equal measure, and even when it's toned down there is often a sense of impending menace and fury.

As she sings on the emotionally constrained but tense The Things We Do To Each Other, “it only takes one small twist to kick it up a gear”.

That's true of the emotions and sonic intensity here.

If The Trinity Sessions was a balm in a busy age, All That Reckoning is an uncomfortable album for an uncertain time.

You can't talk over it.

Share It

Your Comments

GlimmerTwin - Aug 6, 2018

I tuned out of these guys in the mid 90's after the quite good "Lay it Down" album. Have been some questionable choices since , eg an awful cover of "Thunder Road" and didn't realize they were still around. Thought of them when listening to parts of the excellent Eb & Sparrow album (eg Mt Victoria really echoes the Junkies) . Yes agree this is not bad & worth getting to know. Thanks!

Jeremy - Aug 7, 2018

A massive thanks for bringing this to attention Graham. The Junkies have been a big part of my life from their beginning – we played their beautiful Ring On The Sill at our wedding ceremony. Even their mediocre albums have their moments, and dotted throughout their career are absolute stellar albums like At The End Of Paths Taken, Miles From Our Home, and Pale Sun Crescent Moon. They did lose me halfway through their 4 album Nomad series – an album per year for band at this end of their career was pushing it a little far. But I need them back in my life so this is a very very welcome return. Thanks G.

post a comment

More from this section   Music articles index

Patty Griffin: Children Running Through (Shock)

Patty Griffin: Children Running Through (Shock)

Exceptional. Griffin defies convenient categories: she can convincingly deliver an ethereal ballad, persuasive soul-funk like a Boho Beat, intense country with Emmylou Harris, abrasive and... > Read more

John Morales: The M&M Mixes (BBE)

John Morales: The M&M Mixes (BBE)

Recently I have been reading some interesting political histories of disco: how anti-gay and anti-black elements (notably in white radio and rock culture) conspired to kill the music, and how the... > Read more

Elsewhere at Elsewhere

Ira Cohen: Ornette Comes Home (1994)

Ira Cohen: Ornette Comes Home (1994)

The late poet/filmmaker and documentarian Ira Cohen (who died in April 2011 age 76), was one of those rare voices from that co-joining of the Beat Generation of the Fifties and the Sixties... > Read more

GUEST ILLUSTRATOR ROSS MURRAY shares 10 of his favourite illustrated record covers

GUEST ILLUSTRATOR ROSS MURRAY shares 10 of his favourite illustrated record covers

THE DEAD C: Tusk  Not to be confused with the album of the same name by Fleetwood Mac, this record by the Dead C has a cover almost as dark & enigmatic as the music inside. The... > Read more