Vieux Farka Toure; Vieux Farka Toure (World Village) BEST OF ELSEWHERE 2007

 |   |  1 min read

Vieux Farka Toure: Diabateli Farka Toure)
Vieux Farka Toure; Vieux Farka Toure (World Village) BEST OF ELSEWHERE 2007

In the Western world the offspring of famous musicians often have a hard time if they choose to follow in the footsteps of their parents: witness the case of Julian and Sean Lennon.

But in other cultures, notably in India and parts of the African continent, there is not only an acceptance but an expectation that children will take up the same calling as their parent.

Oddly enough this wasn't the case with the late Ali Farka Toure from Mali who actively discouraged his son Vieux from becoming a musician. ("Don't put your son on the stage, Mrs Toure"?)

In fact Ali decided to send Vieux into the army instead so he would avoid the career disappointments he had suffered as a young man. Quite some career to prefer, huh?

Later however the young Toure (a guitarist/singer like his dad) enrolled in an arts college and won his father over, eventually joining his band. Despite his encroaching cancer, his father (who died last year) appears on a couple of tracks here, Vieux's debut album.

It's a fair comment that like other famous sons and daughters (Femi Kuti and Anoushka Shankar spring to mind), Vieux lack the intensity and gravitas of his more famous parent, but here that only refers to his yet-to-be-lived-in vocals. It takes little away from this quite mesmerising album where his guitar parts shimmer and he benefits from having the great kora player Toumani Diabate on hand.

The leisurely instrumental Tabara and the twanging Diallo with his father on lead are certainly standouts, but elsewhere Vieux offers a more modern take on this music when he branches out into chipping reggae with a European band (Ana) and brings in jazzy quality (the flute passages on Ma Hine Cocore).

The track Courage is also quite trippy in a lo-fi funk way before it soars off on aerial vocals over a gritty guitar from executive producer Eric Herman, a man who clearly has an astute ear and knows how to make Vieux appealing for a Western audience.

But Vieux is also very much the son of his father and reverent to the traditions, especially on the tracks with Diabate; the pensive Toure de Niafunke and the 10- minute closer named for the kora player, Diabate.

So put aside Western preconceptions about someone following in the footsteps of their famous parent and admit this one for consideration.

For a debut album it is very impressive indeed.

Share It

Your Comments

post a comment

More from this section   World Music articles index

The Ipanemas: Call of the Gods (Farout/Southbound)

The Ipanemas: Call of the Gods (Farout/Southbound)

You would have thought that the high-profile 2006 album Samba is Our Gift by the Ipanemas from Brazil would have kick-started a whole samba/Afro-Brazil movement much like the Buena Vista Social... > Read more

Zusha, Kavana (iTunes)

Zusha, Kavana (iTunes)

This Jewish trio from New York (and a number of guests) explore and interesting, if sometimes familiar, thread within Jewish music. But in their hands this is where tradition meets Downtown.... > Read more

Elsewhere at Elsewhere

Trade . . .Me? A story of failed entrepreneurialism

Trade . . .Me? A story of failed entrepreneurialism

The new poster boy for entrepreneurs is 26-year old Canadian Kyle MacDonald: he’s the guy who traded a red paperclip for a fish-shaped pen, then traded that for a doorknob, that for a... > Read more

PETER HAEDER PROFILED: Portrait of the artist as musical itinerant

PETER HAEDER PROFILED: Portrait of the artist as musical itinerant

In a recent conversation this German-born Auckland-based guitarist mentioned an album of his I had forgotten about: it was Kling-Klang (on Ode) and at a guess came from some time in the... > Read more