100 ESSENTIAL NEW ZEALAND ALBUMS by NICK BOLLINGER

 |   |  1 min read

Black Grace: Black Sand Shore (1994)
100 ESSENTIAL NEW ZEALAND ALBUMS by NICK BOLLINGER

The purpose of books of lists - and the list of lists is growing by the day -- is probably two-fold: you get to look through and tick off what you've got/done/seen or whatever and make a note of other points of interest to see/collect/experience.

The second point is to argue with them: in your head you question the selections, howl in disbelief at an inclusion and rail silently at an omission that means so much to you.

So it is with this well presented, squat and neatly laid out book in which New Zealand writer/broadcaster Bollinger makes the case for 100 albums (which he explains exclude classical, jazz and other single genres but err towards pop and rock).

Bollinger also explains his sensible criteria for a great album (it is a programme of music, and it had to be speak across the decades to him today). That excludes music so locked in its period that it now sounds naff and dated (MiSex's Graffiti Crimes), but not other music of its time which still enthralls for its sheer energy (the AK79 punk collection).

He also concedes that the more recent releases are the most problematic: will they still speak across time in decades to come?

This is all sober and sensible stuff, and thereafter he presents a chronological selection which opens with the Tahiwis recordings in Sydney in the 1930 and closes with Pie Warmer's Fearsome Feeling of '09.

Between times there is an equally sober and sensible selction which rather lacks in surprises. The Fourmyula get three albums (some might say that is one too many), inevitably there are those signpost or milestone albums (Human Instinct's Stoned Guitar through various Split Enz, Dave Dobbyn and Crowded House albums) to that increasing diversity when indie.rock and reggae came of age before the whole South Auckland hip-hop movement emerged.

My guess is that anyone with more than a passing interest in New Zealand music would have easily half of the albums here, maybe more. He rightly includes compilations because they too were stakes in the ground (the Proud collection for example which redfined the landscape).

On each of these albums Bollinger writes a pithy piece (you don't envy him how few words he had on albums like Mental Notes, Dave Dobbyn's Twist or Dam Native's Kaupapa Driven Rhymes Uplifted for example).

Nice to see Grace's Black Sand Shore being brought to attention again, it was and is a gem. 

But mostly this is a tidy if unsurprising selection -- and of course ripe for argument.

Shouldn't Al Hunter's Neon Cowboy or The Singer have been here? JPSE's Bleeding Star? Moana's always overlooked Rua? The Tokey Tones?

See. Any book you argue with has got to have something going for it.

This takes its place alongside Grant Smithies' more idiosyncratic collection Soundtrack: 118 Great New Zealand Albums and the Nature CD collection of top songs in the growing list of lists of New Zealand music.

So list by all means, but listen is the collective message . . . 

Share It

Your Comments

mark robinson - Mar 22, 2010

"which he explains exclude classical, jazz and other single genres but err towards pop and rock)"

Rubbish.

So there are NOT essencial classical, jazz and other single genre New Zealand albums worth hearing????

Just like The Listener's article late late year that listed no jazz or classical in it's round up of important NZ music.

The title should be "Nick Bollinger's Opinion of the What He Thinks Are The 100 Essencial 100 New Zealand Albums" - just an extended opinionated magazine article???

but I am biased.

And it's Nick's job to inform, which is what, i guess, he is doing with this book. No offence to Nick meant - just the lack of complete coverage of New Zealand's wonderful rich and diverse musical history.

post a comment

More from this section   Writing articles index

AUTHOR RICHARD PRICE ON CLOCKERS: The book, the movie and the money-go-round

AUTHOR RICHARD PRICE ON CLOCKERS: The book, the movie and the money-go-round

Richard Price barely has to open his mouth and you know where he’s from. The voice is direct with a “yeah, well” shoulder shrug delivery and nothin’s like, too exact, you... > Read more

MADONNA UNAUTHORISED, BOOK REVIEW AND AUTHOR INTERVIEW (1992): Personality as art

MADONNA UNAUTHORISED, BOOK REVIEW AND AUTHOR INTERVIEW (1992): Personality as art

Two years before she had a hit record, Madonna told her friend Erica Bell: “I don’t just need attention. I need all the attention. I want everybody in the world to know who I am and to... > Read more

Elsewhere at Elsewhere

Susanna and the Magical Orchestra: Love Will Tear Us Apart (2006)

Susanna and the Magical Orchestra: Love Will Tear Us Apart (2006)

The Susanna here is Norway's Susanna Wallumrod and the Magical Orchestra is keyboard player Morten Qvenild . . . and this Joy Division classic is right in their frame of reference because her... > Read more

THE FAMOUS ELSEWHERE QUESTIONNAIRE: Nadia Reid

THE FAMOUS ELSEWHERE QUESTIONNAIRE: Nadia Reid

Raised in Port Chalmers and Christchurch but now living in Auckland, singer-songwriter Nadia Reid (no relation to Elsewhere) has won consistent acclaim for her sometimes melancholy voice coupled... > Read more