Oli Brown: Heads I Win Tails You Lose (Ruf/Yellow Eye)

 |   |  1 min read

Oli Brown: Take a Look Back
Oli Brown: Heads I Win Tails You Lose (Ruf/Yellow Eye)

The blues goes in cycles of visibility: there were those great days of the late Forties/Fifties in the South and the early Sixties in Chicago; the British blues boom of the early/mid Sixties (John Mayall, Clapton, the first Fleetwood Mac etc) and then . . .

You can tick them off just by a name alone: Alligator Records (Hound Dog Taylor and the like); George Thorogood; Stevie Ray Vaughan; Bonnie Raitt; Robert Cray; the return of John Lee Hooker; Jeff Healey; the Fat Possum label; Derek Trucks . . .

Every six or seven years the blues comes back into the foreground via some artist who steps beyond the pack to capture the spotlight.

Right now this hot young, good looking Bieber-haired player out of the UK -- who is barely 21, slightly older than Clapton when he joined Mayall's Bluesbreakers -- has been capturing attention for the maturity of his guitar playing and singing which has got him signed to the Ruf label out of Germany alongside the likes of Big Daddy Wilson, Carolyn Wonderland and Walter Trout.

Although he writes most of his own material (a couple of co-writes with Mike Vernon) it is his covers where we can also hear how wide his listening appreciation is: he delivers a beat-driven version of Fever with Jimmy Smith-styled organ and picks up Bill Withers' No Diggity.

Brown doesn't have much vocal range but by shuffling the pack here he keeps your attention -- after the workmanlike Evil Soul he steps to Stevie Ray Texas-territory for Makes Me Wonder, drops back a touch for the gritty Keeping My Options Open then right down for the more pop-influenced ballad Speechless, back up a notch or two for Fever and so on.

When he's at his best -- the spare pop ballad Not a Word I Say at one end of his spectrum, the seven minute guitar stretch on Love's Gone Cold at the other -- you can hear a player of great potential (he's only 21 remember) -- so if he's a little less impressive in other places you know that, like Trucks, he's someone worth keeping an ear on.

Share It

Your Comments

post a comment

More from this section   Blues articles index

Luther Allison: Songs From the Road (Ruf/Yellow Eye)

Luther Allison: Songs From the Road (Ruf/Yellow Eye)

It's a peculiar thing, but the music which gave the world rock'n'roll and rock as we know it -- the blues, in case you missed the connection -- seems utterly marginalised in the media. Even... > Read more

DEREK TRUCKS INTERVIEWED (2009): Allman and Clapton, but his own man

DEREK TRUCKS INTERVIEWED (2009): Allman and Clapton, but his own man

For someone yet to hit 30, the Jacksonville, Florida-based singer-guitarist Derek Trucks has achieved a lot. But then, he was almost born to it. His uncle is drummer Butch Trucks of the Allman... > Read more

Elsewhere at Elsewhere

Alan Brown: Between the Spaces (Ode)

Alan Brown: Between the Spaces (Ode)

New Zealand keyboard player Alan Brown -- who has previously been in Blue Train and is currently in the Grand Central Band -- is on record saying that rather than writing a jazz album he wanted all... > Read more

Youssou N'Dour: Dakar-Kingston (Universal)

Youssou N'Dour: Dakar-Kingston (Universal)

After decades of almost becoming the biggest star out of Africa and commanding a global audience (support from Peter Gabriel, the 7 Seconds single with Neneh Cherry, Mandela concerts and so on)... > Read more