Tania Giannouli Ensemble: Transcendence (Rattle)

 |   |  1 min read

Tania Giannouli Ensemble: Obsession
Tania Giannouli Ensemble: Transcendence (Rattle)

The previous album by Greek pianist/composer Tania Giannouli which appeared at Elsewhere was a duet recording Forest Stories with saxophonist/flautist and clarinet player Paulo Chagas and -- for no other reason than they were improvised pieces -- we posted it in our Jazz in Elsewhere pages (see review here).

It was such a fascinating album we invited Giannouli and Chagas to answer separately our Famous Elsewhere Jazz Questionnaire (see here and here) even though some might not have thought of them as "jazz" musicians.

This time out with a suite of compositions meditating on time and change with her small international ensemble (from Russia, Spain and Greece on cello, saxophone and percussion) we place her in our Cultural Elsewhere pages  -- for no other reason than these pieces are largely scored and refer more to the classical tradition. (And world music, especially on the North African/Mediterranean piece Sun Dance it must be said.)

So it would be an unwise person who would put Giannouli in any particular box.

While Sun Dance ends with a furious rush of energy and saxophone passages from Guido De Flaviis which take off from stately ECM then move rapidly into something akin free jazz fury, the following piece The Time Will Come opens with a delicate piano figure and the reflective music descends into a shadowland of emotion through Alexandros Botinis' cello and long lines on soprano saxophone.

And the strident Faster Than Wear -- which might be the most improvised here -- is the most challenging for its tightly-wound energy, relentlessness and sense of rage. In the liner notes she says this album is about her motherland, and you suspect when she recorded this one in particular she was mindful of the crisis which was to come.

But in other places there is a Romantic classicism, as on the opening passages on From Foreign Lands, before we are swept off to Maghreb by Solis Barki's percussion and an Arabic influence in cello and saxophone.

This is Tania Giannouli's second album for New Zealand's Rattle label and it has been a profitable association. The label is clearly giving her the scope she requires (she also writes for film and video) because her widescreen vision is best left unconstrained.

File her under classical, jazz, world music or where you will.

If you dare file her at all. 

Share It

Your Comments

post a comment

More from this section   Cultural articles index

WILD IRON; NEW ZEALAND POETRY ADAPTED TO SONG by LORENZO BUHNE

WILD IRON; NEW ZEALAND POETRY ADAPTED TO SONG by LORENZO BUHNE

New Zealand poetry has mostly existed on the margins of available technology. In the days of records, James K. Baxter had some of his poems on the Barney Flanagan EPs, there was a 1974... > Read more

NEW YORK, THE FIRST ANNIVERSARY OF 9/11: In a New York State of Mind (2002)

NEW YORK, THE FIRST ANNIVERSARY OF 9/11: In a New York State of Mind (2002)

Beyond the wingtip is a clear blue sky, exactly the same kind out of which tragedy arrived a year ago.It is September 11 and I'm flying into New York, America's capital of brashness but which... > Read more

Elsewhere at Elsewhere

BLACK TO THE FUTURE: The Beatles on vinyl in mono

BLACK TO THE FUTURE: The Beatles on vinyl in mono

Recently I played the Beatles' Helter Skelter from “the White Album” to a class of my university music students. But something odd happened. And no, they... > Read more

EPs by Yasmin Brown

EPs by Yasmin Brown

With so many CDs commanding and demanding attention Elsewhere will run this occasional column by the informed and opinionated Yasmin Brown. She will scoop up some of those many EP releases, in... > Read more