Graham Reid | | 7 min read
Chants R&B out of Christchurch in
the Sixties were a rare New Zealand band, on so many levels. Rare in
that they played exciting, noisy, feedback-infused rhythm and blues
rock at a time when most other New Zealand bands were following the
Beatles into bright pop.
Rare that they recorded a live album.
Rare that they were so often photographed.
Rare also that they were filmed.
And most rare and extraordinary of all when you add these factors up, that they seldom left Christchurch but played out their gigs in the Stage Door which, as film maker Jeff Smith notes, was “their clubhouse.”
That explains why there was so much
visual and audio information for Smith to draw on for the Chants R&B
doco Rumble & Bang which has made with Simon Ogston.
And Chants R&B – who reformed for shows in 2007 and last year – equally have a rare documentarian in Smith, formerly of the post-punk ska band the Newmatics in the Eighties and who, at 49, was born the year the Chants started playing together.
“The Chants did Land of 1000 Dances which we did,” says Smith “and I saw a bit of footage. But it had [their song] Witchdoctor cut to it. The main thing for me was it came from New Zealand and it came from Christchurch, and that's been the whole learning thing.
“You could just do a doco on Christchurch because it was punching well above its weight. As soon as you start looking it's Ray Columbus and Max Merritt . . . “
Because Christchurch had an American
military base and those guys brought their music to Christchurch when
they were posted there?
Yeah. We cover that in the doco and show that Christchurch was our version of Liverpool.
I spoke a lot to Midge Marsden as well. They came from Wellington but the difference between the Chants and his band [Bari and the Breakaways] was that the Breakaways were playing everywhere. Whereas the Chants played for two years in the one place. I think they toured once and played two gigs outside Christchurch.
So they had this playground where they could develop, and that is one of the main reasons they are what they are.
They were able to incubate in this club and push things further with the freedom they had. If you play in the same club every weekend to the same people practically, you are looking for new ways to take it further and your audience is bringing you new records to learn from.
Like the Beatles. Before they got into a recording studio they had that famous 10,000 hours of playing time behind them. They got good.
Yeah, the Malcolm Gladwell 10,000 hours thing. I read that book and a year later I was talking to these [Chants] guys and it was exactly that. These guys practiced a lot and played a lot. It makes sense, if you work hard at something you will get good at it.
I had read years ago there was footage of the Chants, did you know of that when you started?
I must have I think. Te Rupana Neil who edited the original footage for a clip [New Zealand rock historian] John Baker made told me there was three minutes worth. But then I tracked down the guy who shot it, Fred Goldring who lives on [Auckland's] North Shore, who handed me the film can and said, 'It's yours, do what you want'. There was actually 16 minutes of it.
There was footage of people in the coffee bar upstairs from the Stage Door. [Fred's] idea was to do a day in the life of Chants R&B, so it had them arriving at the club, setting up, playing and then going home.
Sixteen minutes from a club in '65, Amazing.
It looks excellent crisp footage, was
it digitally enhanced?
I just transferred it again onto HD and didn't want to muck too much with it. It would have been easy to take it and do lots with it, but it's a historical document really. It's our culture.
What took Fred into doing this project
at the time, because he would have been a young man at the time too?
He was. He saw them and was in a film or camera club and was blown away. He couldn't believe this band and the music. I guess most of the music they were playing wasn't really available either, so you'd turn up and hear music by the Pretty Things or the Yardbirds or whatever. The chance of hearing it on radio was slimmer, much like the Seventies with punk. In that regard not much has changed.
So he bought three rolls of film and shot it, but with 16mm there were all sorts of issues with lighting. But even to get that footage is amazing and he pushed the boundaries with camera and film stock because its quite difficult to shoot in an underground club.
At the time you got the footage had you
spoken to any of the band?
I think by that stage I had. I saw the footage and that they were doing a reunion gig in Christchurch so the two things lined up. So I decided to go and do this, and spoke to the drummer Trevor Courtney who said 'There's another guy in Christchurch who wants to do a documentary about us as well'. And this is how Simon got involved.
So it was a strange beginning when you have two people interested in the same band. So we thought we might as well do it together. So we pooled our resources and Simon shot some bits and I shot the rest and put it together up here.
You shot the reunion gig as well?
Yes, and John Baker had shot the 2007 one also which they played [in Auckland]. After a while we went to Melbourne for an interview because [singer/guitarist] Mike Rudd lives over there and we caught up with other people who were around, like Dave Russell [of the Meteors and Invaders]. And he fits in nicely as the generation before. They started to break down the barricades for the Chants and also created a vacuum when they left. That enable the Chants to fill that, the youth culture that was happening at the time.
You also have a lot of photos.
The Stage Door was run by Des Moynihan later at TVNZ and he started with two English guys and one of them [Gordon Cope-Williams] was an amazing photographer. We were in Australia and got this motherlode of Chants photos from him.
He had two or three rolls of photos and he'd taken all the publicity shots on two or three occasions. It was unusual because we had all these photos, and fans took photos as well.
And did the band members have clear
memories of that time?
I was going to put a collection of people saying 'I don't remember' which was like a mantra for a while. But when you talk to somebody about something that happened 40 years ago it gets pretty hard.
People like John Baker and Andrew Schmidt had been through it with them, people had written articles and stories for the reunion, so a lot of the questions we asked they'd been asked before. So we got a standard answer and it took a while to get past that. It's easy to say the standard answer but we wanted more than that.
I'm a musician and if I think of other programmes I've watched on New Zealand television they seem to be a bit light. And I did want to have something which showed a bit about the mechanics of the band, the important things like where they got the material, the importance of playing the same club all the time . . .
And the other things was, it was the beginning of long hair. That idea of being different.
I talked to Dave Hurley [Breakaways, Human Instinct] about that too, the importance of growing their hair . . . then getting beaten up here and there. It was quite a time and funnily enough quite similar to the punk era.
They were reading NME
and buying their singles from that and importing them and learning
them and playing them.
But the doco is quite unique.
Strangely, there are not a lot of documentaries about just one band in New Zealand.