John Cale; Chinese Envoy (1982)

 |   |  1 min read

John Cale; Chinese Envoy (1982)

As with anyone who was there, I have a vivid memory of John Cale's show at the Gluepot back in September '83, and in fact I still have the poster ("Tickets sold! Limited door sales. Be early!")

Cale's Sabotage/Live from '79 can't be topped for the sheer intensity he brings to material like the thrilling seven minute version of Mercenaries (play at full volume and then put on Pere Ubu's Thirty Seconds Over Tokyo, two back-to-back tracks that will have you either air-punching or cowering behind the couch).

For sheer passion and intelligence Cale can't be topped, which is why he has had a much more interesting solo career than his fellow traveller from the Velvet Underground, the self-important Lou Reed.

jcaleThere are dozens of Cale albums around but anyone wanting a one-stop shop wishing to find out what the fuss is all about should check out the Rhino double disc set (with booklet) Seducing Down the Door which covers the two decades from 1970 and brings you up to the Andy Warhol tribute album Songs For Drella which he did with Lou.

It covers rock'n'roll (Fear is a Man's Best Friend, Dirty Ass Rock'n'Roll), those chilling covers (Heartbreak Hotel, Walkin' The Dog), his classic songs (Pablo Picasso, The Soul of Carmen Miranda) and much more.

And the eerie, mysterious and beautiful Chinese Envoy (inspired by a Guy de Maupassant short story), a song I remember clearly from that Gluepot gig. 

For more one-off or unusual songs with an interesting backstory see From the Vaults

Share It

Your Comments

Maurice - Feb 23, 2010

I remember reading a review of that glupot gig years later in a magazine on a very late night in Auckland while waiting for my chips - "Gluepot memories" or soemthing like that. I think it was 1996. Anyway, the line I remember was "never miss an opportunity to see John Cale live". I'm glad I took that advice 11 years later in a small theatre in Dublin. Amazing. It helped that I was spitting distance (him, not me). He played pretty much the setlist from Fragments Of A Rainy Season, which I think is the best intro to Cale. And for once, meeting your hero wasn't a let down.

Maurice - Feb 23, 2010

doh - it was two years later in 1998, but whatever, it was great.

Paul Rowe - Feb 23, 2010

I had the pleasure of seeing Cale at the ICA in London do a fairly experimental set with himself on piano, a DJ doing whatever DJs do and (at the end) a female singer doing a song-cycle based upon (I think) the letters from SOE operatives during the war. back in about 2000 I think. He messed with the melodies but did a few of the classics, they were a bit hard to recognise (Hallelujah sticks in the mind). Not much audience interaction, but at least Cale smiled on occaision which is more than I saw Lou Reed do at the Albert Hall about the same time (I exagerate, Lou smiled right at the end as he took his bow)

Matthew Biggs - Aug 19, 2012

He also toured here in 1986. Two shows at the Gluepot then about 3 weeks later as headed back thru Akld from his Australian concerts he did a show at the Windsor (or at least the bar next to it.) So, 1 show in 1983, 3 in 1986 and 1 in 2007. All brilliant.

post a comment

More from this section   From the Vaults articles index

The J Geils Band: No Anchovies, Please (1980)

The J Geils Band: No Anchovies, Please (1980)

The J Geils Band out of Massachusetts is best known for their terrific single Angel in a Centrefold (aw, c'mon, it's great, in a rock'n'roll Benny Hill way . . . see clip below) and Freeze Frame --... > Read more

The Flame: See the Light (1970)

The Flame: See the Light (1970)

Even during their lifespan there were always records which were attributed to the Beatles. The suggestion was that they might put out a single anonymously just to see if it would chart -- or there... > Read more

Elsewhere at Elsewhere

GUEST WRITERS GAVIN AND ODETTE consider the romantic young John Lennon

GUEST WRITERS GAVIN AND ODETTE consider the romantic young John Lennon

A Hard Day’s Night by the Beatles is a mono vision. When you put it on – while reading this article of course – make sure you put it on loud. The first thing you will realize... > Read more

The Harvest: Page/Brown/Psathas (Rattle Jazz)

The Harvest: Page/Brown/Psathas (Rattle Jazz)

This two-part album -- The Harvest Suite in eight sections, Like Picking Fruit in nine -- features Adelaide-based expat Kiwi saxophonist Adam Page, guitarist James Brown and producer John Psathas... > Read more