The Chicks: The Rebel Kind (1966)

 |   |  1 min read

The Chicks: The Rebel Kind (1966)

New Zealand has no great tradition of political pop or rock. All those years of high unemployment during the Flying Nun heyday . . . and who mentioned it? Very few.

Even the Springbok tour in '81 barely generated a whisper from musicians. (Riot 111 here being the noble exception.)

And during the Vietnam period? Barely a dickey-bird . . .  aside from, oddly enough, mainstream pop star Craig Scott who sang Smiley ("so you're off to the Asian war, and we won't see you smile no more") which won him a Loxene Gold Disc award. But from the underground bands? Nothing.

Of course issues like Maori land rights and such have drawn comment from Maori musicians -- but rarely do any bands take on specific issues.

We do however have an interesting history of songs about dissent from social norms, the anger and frustrations of being different, or feeling disenfranchised from mainstream society -- which most want to reject anyway.

From the Blue Stars' Social End Product and the La De Das (How is the Air Up There and Don't You Stand in My Way) to all those hippie-era pop bands pointing out all the normal 9-to-5 suburban drones and then punks raging against the much the same, there has been a grand tradition of being pissed off in a general way with society.

The Chicks were most widely known for being attractive pop singers who dished up dance'n'party hits like The Hucklebuck (the 1949 r'n'b original is on this set).

But they too weighed in briefly with a slice of social dissent: the teens being picked on by the straights. Written by Lee Hazlewood, the song features tough rock guitar from Doug Jerebine (whose odd story is here).

It was a rare moment of rage and social comment from the otherwise cheery Chicks (Sue and Judy Donaldson) who took mini-skirts to daring new heights. 

For more one-offs, oddities or songs with an interesting backstory see From the Vaults

[[youtube:http://www.nzonscreen.com/title/cmon---1967-1967]]

Share It

Your Comments

Relic - Nov 16, 2010

“All those years of high unemployment during the Flying Nun heyday . . . and who mentioned it?”
Chills perhaps-“Doledrums”? and Herbs first EP “Whats Be Happen” had a spot of social comment “modunok batons”... etc.
slim pickings overall though.

Shaun - Nov 23, 2010

Tail end of the 80's, lots of redundancies, and maybe a prescient view of what more was to come under the national government of the 1990's (all very familiar to today really) . . .

How about the Verlaines, from their wonderful 1989 album "Some Disenchanted evening"?

The achingly sad "Down the Road" includes these lyrics:

"They don't have much to say now I've been replaced
With a half-arsed kid half my age
His suit don't fit, for him they pay half the wages
"
and even more depressingly:

"But where do I go
When my day is already over at 8 am
By Monday, all the money's gone"



post a comment

More from this section   From the Vaults articles index

The Contours: First I Look at the Purse (1965)

The Contours: First I Look at the Purse (1965)

One of the first groups signed to Berry Gordy's Motown label, the Contours had a huge hit with the much-covered Do You Love Me ("now that I can dance") which was in the set of Beatles-era... > Read more

Tom Waits: Young At Heart (2006)

Tom Waits: Young At Heart (2006)

According to Tom Waits, "My wife just thinks it's hilarious," he said of this cover of Frank Sinatra's popular song. "She says, 'You sound so goddamned depressed singing it . . . I... > Read more

Elsewhere at Elsewhere

Chet Baker: In New York (American Jazz Classics/Southbound)

Chet Baker: In New York (American Jazz Classics/Southbound)

Although you could hardly argue with a line-up which had tenor player Johnny Griffin, pianist Al Haig, bassist Paul Chambers and drummer Philly Joe Jones alongside trumpeter Chet Baker, the result... > Read more

THE EASYBEATS REMEMBERED (2015): I got hit songs on my mind . . .

THE EASYBEATS REMEMBERED (2015): I got hit songs on my mind . . .

The edges of the vision are blurry but at the centre of the frame things are clear. I am a teenager, my friend Barry and I and perhaps a couple of others are stumbling down a dark road near what... > Read more