The Saints: See You in Paradise (1986)

 |   |  <1 min read

The Saints: See You in Paradise (1986)
Bob Geldof once said that “rock music of the Seventies was changed by three bands: the Sex Pistols, the Ramones and the Saints”.

The Saints out of Brisbane were certainly the vanguard of a style which would be recognized as punk with songs like (I'm) Stranded, Wild About You and the Ramones-like speed-thrash of Demolition Girl in '76.

But there was more to their musical palette as soon became clear when singer-guitarists Chris Bailey and Ed Kuepper really took control of their direction.

By their superb All Fools Day recorded at Rockfield Studio in Wales they were stretching into classic songs like Just Like Fire Would and this one, See You in Paradise which with its mellow mood, guitar part and Bailey's drawling vocal sounds like the greatest Eighties song Jagger-Richards never wrote.

Time magazine noted of Bailey, “his willingness to experiment with sounds and a consistent refusal to model his music on fashion has made Bailey one of Australia's most interesting rock musicians”.

Needless to say that contrariness meant the follow-up album Prodigal Son was a much tougher and alienating proposition . . . and both Bailey and Kuepper went on to carve out distinctive solo careers.

Bailey was interviewed at Elsewhere here when he was living in Malmo, Sweden in the mid Nineties.

He's a smart man and this is an ear-catching song.

.

For more oddities, one-offs or songs with a backstory see From the Vaults

Share It

Your Comments

post a comment

More from this section   From the Vaults articles index

The Inhalers: Nico on a Bike (1990)

The Inhalers: Nico on a Bike (1990)

When Nigel Beckford of Wellington got in touch two years ago about the album by the band Sven Olsen's Brutal Canadian Love Saga, he opened a door into a very strange and wonderful world. That... > Read more

Kurtis Blow: The Breaks Part 1 (1980)

Kurtis Blow: The Breaks Part 1 (1980)

It seems a curious thing that in hip-hop -- which often brags about how much it respects its past -- the briefly famous Kurtis Blow should have disappeared from the landscape. But The Breaks... > Read more

Elsewhere at Elsewhere

PATRICIA PICCININI CONSIDERED (2014): Empathy and the art of the heart

PATRICIA PICCININI CONSIDERED (2014): Empathy and the art of the heart

The most common defense of intellectually bankrupt or emotionally empty contemporary art is that it “invites the viewer to ask questions”. This is reflexive curator-speak... > Read more

Elsewhere Art . . . Chet Baker

Elsewhere Art . . . Chet Baker

Chet Baker was -- like Dean Martin -- a man whose gifts came so easily he took them for granted and was casually dismissive of them. Dean would walk into a recording studio or onto a film set,... > Read more