John Surman: Saltash Bells (ECM/Ode)

 |   |  <1 min read

John Surman: Dark Reflections
John Surman: Saltash Bells (ECM/Ode)

Sort of radio-without-pictures here from multi-instrumentalist John Surman who was scheduled to work with a photographer/filmmaker to document the area in Devon where he grew up.

When that project didn't pan out Surman just continued to explore the idea though his music in pieces which reference specific places (Dartmoor, Plymouth Sound etc).

With synthesiser frequently providing the evocative sonic landscape behind his woody saxes and clarinet, this one will be very much down to taste as to how you feel those elements -- seemingly contradictory, but not always so in his capable hands -- are reconciled.

And sometimes here they aren't which means pieces like the moody solo Glass Flower, quirky Aelfvin and the multi-tracked saxes on the Anglofolk sound of Triadchorum stand at variance to something like On Staddon Heights which doesn't stray too far from Surman's familiar tropes of synth/sax.

That said, the eight minute Winter Elegy and the dark title track also come from a similar synth/sax source and have a freshness which is engaging.

Surman is one of the most interesting of British jazz artists -- see profile here -- and is always worth hearing, especially on solo albums. But this canvasses familiar territory.

Might have been better with the pictures as it doesn't quite fill the screen as you might wish.

Like the sound of this? Then check out this.

Share It

Your Comments

mark robinson - Jul 8, 2012

I tend to agree with your comment "But this canvasses familiar territory"

Road To St Ives is one of my favourite ECM releases but that was back in 1990. This release is good but does nothing new. That's not a bad thing I guess but is no reason to make a purchase.

I saw Surman perform "Road to St Ives" in Coventry, England shortly after it's release and came away marvelling at the man's tone, control and mastery of not only soprano and baritone saxes but also of synths and delay units.

I saw him again in 2009 in Melbourne with Australian recorder player Genevieve Lacey. Again wonderful music.

Hope you are well Graham.

post a comment

More from this section   Jazz articles index

Anouar Brahem: Le Voyage de Sahar (ECM/Ode)

Anouar Brahem: Le Voyage de Sahar (ECM/Ode)

Tunisian Brahem who plays oud --- like a slack-string lute -- steers another fine album under his own name on ECM, a label with a reputation for meticulously produced if sometime emotionally... > Read more

HUGH MASEKELA INTERVIEWED (2013): Out of Africa

HUGH MASEKELA INTERVIEWED (2013): Out of Africa

With a husky chuckle Hugh Masekela recalls himself as a curious child, some 70 years ago, who would wake, wind up the gramophone and sing along with every song. “I was obsessed by... > Read more

Elsewhere at Elsewhere

GUEST PHOTOGRAPHER JONATHAN GANLEY offers a down-the-front rock experience

GUEST PHOTOGRAPHER JONATHAN GANLEY offers a down-the-front rock experience

Between 1981 and 1991, photographer Jonathan Ganley was regularly taking photos of bands and gigs in Auckland. At first he concentrated on the big names of post-punk when they played... > Read more

EPs by Yasmin Brown

EPs by Yasmin Brown

With so many CDs commanding and demanding attention Elsewhere will run this occasional column by the informed and opinionated Yasmin Brown. She will scoop up some of those many EP releases, in... > Read more