John Surman: Saltash Bells (ECM/Ode)

 |   |  <1 min read

John Surman: Dark Reflections
John Surman: Saltash Bells (ECM/Ode)

Sort of radio-without-pictures here from multi-instrumentalist John Surman who was scheduled to work with a photographer/filmmaker to document the area in Devon where he grew up.

When that project didn't pan out Surman just continued to explore the idea though his music in pieces which reference specific places (Dartmoor, Plymouth Sound etc).

With synthesiser frequently providing the evocative sonic landscape behind his woody saxes and clarinet, this one will be very much down to taste as to how you feel those elements -- seemingly contradictory, but not always so in his capable hands -- are reconciled.

And sometimes here they aren't which means pieces like the moody solo Glass Flower, quirky Aelfvin and the multi-tracked saxes on the Anglofolk sound of Triadchorum stand at variance to something like On Staddon Heights which doesn't stray too far from Surman's familiar tropes of synth/sax.

That said, the eight minute Winter Elegy and the dark title track also come from a similar synth/sax source and have a freshness which is engaging.

Surman is one of the most interesting of British jazz artists -- see profile here -- and is always worth hearing, especially on solo albums. But this canvasses familiar territory.

Might have been better with the pictures as it doesn't quite fill the screen as you might wish.

Like the sound of this? Then check out this.

Share It

Your Comments

mark robinson - Jul 8, 2012

I tend to agree with your comment "But this canvasses familiar territory"

Road To St Ives is one of my favourite ECM releases but that was back in 1990. This release is good but does nothing new. That's not a bad thing I guess but is no reason to make a purchase.

I saw Surman perform "Road to St Ives" in Coventry, England shortly after it's release and came away marvelling at the man's tone, control and mastery of not only soprano and baritone saxes but also of synths and delay units.

I saw him again in 2009 in Melbourne with Australian recorder player Genevieve Lacey. Again wonderful music.

Hope you are well Graham.

post a comment

More from this section   Jazz articles index

John Key Trio: Back and Forth (Odd)

John Key Trio: Back and Forth (Odd)

Because there is so little money to be made out of releasing a local jazz album, you are surprised to find anyone bothering at all. And that may explain the nine year gap between this by... > Read more

Chet Baker: In New York (American Jazz Classics/Southbound)

Chet Baker: In New York (American Jazz Classics/Southbound)

Although you could hardly argue with a line-up which had tenor player Johnny Griffin, pianist Al Haig, bassist Paul Chambers and drummer Philly Joe Jones alongside trumpeter Chet Baker, the result... > Read more

Elsewhere at Elsewhere

BEST OF ELSEWHERE 2011 Fatoumata Diawara: Fatou (World Circuit)

BEST OF ELSEWHERE 2011 Fatoumata Diawara: Fatou (World Circuit)

Yet another artist out of Mali who confirms that country -- alongside only Jamaica perhaps -- seems to have more gifted and distinctive performers per head of population than any other country on... > Read more

GUEST ARTISTS ROSS MURRAY and GREG STRAIGHT explore the golden summer mood

GUEST ARTISTS ROSS MURRAY and GREG STRAIGHT explore the golden summer mood

Elsewhere writes: Late last year artist Ross Murray contacted Elsewhere . . . something to do with the Rolling Stones' Blue and Lonesome album perhaps? But in passing he mentioned a comic... > Read more