MURRAY McNABB (1947-2013): The new man with the courage to make himself new

 |   |  1 min read

Murray McNabb Trio (McNabb, Gibson, Andy Brown): Missing You (1987)
MURRAY McNABB (1947-2013): The new man with the courage to make himself new

The plan would have been timely: a concert acknowledging the half century he'd known and played in bands with drummer Frank Gibson. But then everything changed.

“They gave me a year, that was a year ago,” says 66-year old keyboard player and jazz genius McNabb about the cancer diagnosis he received, “So I'm going downhill gradually, losing weight. It's getting hard to eat and I had a heart op in 2004 so it's putting a strain on that.

“So I'm on the way out, but we're all on the way out in one way or another. It's just happening at a different time for me.”

That time came last Sunday, a little over a fortnight after this final interview in his Auckland home.

McNabb – philosophical, still recording (two tracks for a duets album under Gibson's name, and recently the Anti-Borneo Magic double album with the astral-rock group Salon Kingsadore) – is one of this country's best, most heard but least known musicians.

With Murray Grindlay, McNabb has played on, written or arranged literally hundreds of commercials which have imprinted themselves in our collective consciousness -- Mainland cheese, the most famous Crunchie ad on the train, McDonalds, John Grenell's Welcome to my World Toyota ad . . . There were also songs like Sailing Away and the Red Nose Day theme, but as importantly the soundtrack to the television series Greenstone and the incidental music to Once Were Warriors.

It's likely every person in this country has heard at least one, if not a dozen, songs which have McNabb's fingerprint on them.

But that's only a small measure of what McNabb – also an accomplished artist whose work has appeared on a number of album covers – has achieved.

“I had absolutely no compunction about selling myself to the advertising world,” he laughs. “I do them so I can make jazz records. I've really enjoyed making commercials, the only thing better is playing live music in an improvised situation. Apart from that, commercials and soundtracks is where it's at for me.”
McNabb grew up in Auckland tinkering on piano as a child, almost entirely self-taught . . .

To read the complete interview with Murray McNabb conducted a fortnight before he died go to here. There is more at Elsewhere about Murray McNabb's career and albums starting here.

Share It

Your Comments

Chris - Jun 14, 2013

Very sad to hear the news of Murray McNabb's passing. I've only just gotten into his music in the last few months, after been randomly given a copy of Song For The Dream Weaver; i had zero expectations (apart from knowing the sidemen) and was blown away by it. A month or so later i found a copy of Waiting For You in a store and was again blown away. It also confirmed that SFTDW was not a fluke. Two albums i'm proud to have in my collection, they're also albums that i reach for when i feel like listening to some some Murray McNabb, not just some nice piano trio music = his music, at least on these albums, really has a distinctive flavour.

Thanks, Graham, for your great article in The Listener on McNabb's passing. There's not much out there on him outside of your site, as i've found, and he really was a world class artist. RIP. Cheers.

Bruce - Jun 14, 2013

RIP Murray.

Loved watching you work up a sweat at the Globe all those years ago :-)

You'll be missed !!

!!

post a comment

More from this section   Jazz articles index

Andy Sheppard Quartet: Surrounded by Sea (ECM/Ode)

Andy Sheppard Quartet: Surrounded by Sea (ECM/Ode)

Those old enough the remember when British saxophonist Andy Sheppard emerged as a new wave out of Britain alongside Loose Tubes, Courtney Pine and others might be surprised a little by this elegant... > Read more

DIXIELAND DISCOVERY: Louis, Pete, Al and me down South

DIXIELAND DISCOVERY: Louis, Pete, Al and me down South

Duke Ellington famously observed there’s only two kinds of music, good and bad. He may well be right. But there's also hey-nonny-nonny folk music, most of which frankly I don't consider... > Read more

Elsewhere at Elsewhere

WE NEED TO TALK ABOUT . . . TEX WITHERS: Country'n'Western from the East End

WE NEED TO TALK ABOUT . . . TEX WITHERS: Country'n'Western from the East End

The more you try to find out about Tex Withers, the more confusing it can become. One thing everyone agrees on however is that this country music singer in London – who insisted he had... > Read more

NURU KANE PROFILED (2013): A colourful tapestry of sound

NURU KANE PROFILED (2013): A colourful tapestry of sound

One of problems world music artists suffer is some preciousness in their audience which would preserve them in amber like an anthropological specimen. They want an artist to remain true to some... > Read more