Sons of Kemet: Black to the Future (Impulse!/digital outlets)

 |   |  1 min read

Sons of Kemet: Black to the Future (Impulse!/digital outlets)

We'll be frank, the previous album Your Queen is a Reptile by this much acclaimed British jazz ensemble (around the peripatetic saxophonist Shabaka Hutchings) didn't quite do it for us.

Got the politics and culture, admired the ensemble playing but, as we said, on a musical level it seemed to pull back when its antecedents would have soared.

That however seems to be Hutchings' modus operandi, short staccato saxophone blasts which can be almost minimalist in their repetition while all others about him spiral and spin.

It makes for tense and tight music across roiling Afro-Caribbean grooves, but for our money the British jazz albums by this ever-morphing collective/scene came from The Comet is Coming, Shabaka and the Ancestors and, especially, Nerija and Nubya Garcia.

This album however really does hit the mark, in part perhaps because it is based on jams which Covid allowed to be on the receiving end of smart but subtle overdubs.

It opens with the desperate and politically incendiary Field Negus with rapper/poet Joshua Idehen (back from the previous album) and moves through exciting or moody instrumentals for tuba, drummers and sax, hits a low'n'mean toasting mood with Kojey Radical on the terrific Hustle, lets in the bouncy beats of For the Culture with London grime star D Double E . . .

If Hutchings still keeps close to that short blast style, the anchor and often standout here is tuba player Theon Cross (whose 2019 album Fyah is worth checking out).

This is also an album of moods: the more reflective To Never Forget the Source; the whimsically seductive In Remembrance of Those Fallen which evolves into a lament; the exceptional Let the Circle be Unbroken held down by Cross' tuba but lets Hutchings squall in a visceral and almost horrifyingly cloying manner.

Sons of Kemet have previously offered challenges, but perhaps none quite as fully realised, angry, engaging and emotionally deep as this one.

A melodic, political journey through black culture “from ancient to the future”, as they used to say.

Or as they say -- on the terrific Afrobeat-cum juju groove -- Through the Madness, Stay Strong. 

.

You can hear this album on Spotify here

Share It

Your Comments

post a comment

More from this section   Jazz at Elsewhere articles index

KIM PATERSON PROFILED, AT AUDIOCULTURE (2019): The modest star of New Zealand jazz

KIM PATERSON PROFILED, AT AUDIOCULTURE (2019): The modest star of New Zealand jazz

In 2012, when the album The Duende by multi-instrumentalist Kim Paterson was released, he was widely acknowledged as one of the senior statesmen in New Zealand jazz. Yet his catalogue of... > Read more

Kevin Clark: Zahara (KCM)

Kevin Clark: Zahara (KCM)

Wellington pianist/composer/arranger Clark won best jazz album of the year in 2003 with Once Upon Song I Flew, and again two years later with The Sandbar Sessions. Clark is something of a... > Read more

Elsewhere at Elsewhere

Kuala Lumpur, Malaysia: Old and new, the same but different

Kuala Lumpur, Malaysia: Old and new, the same but different

In Kuala Lumpur which offers a colourful multicultural tapestry of life, it was a small but significant image: just before the expensive frockshop in the up-market Starhill Gallery opened the... > Read more

YES; THE RISE, DEMISE AND RISE OF PROG (2014): Close to a precipice

YES; THE RISE, DEMISE AND RISE OF PROG (2014): Close to a precipice

Among the many myths of British punk is that it wiped out prog-rock bands almost overnight. No more songs about goblins and wizards, no more 20 minute songs which were little more than arpeggios... > Read more