Various Artists: Roll Your Moneymaker, I Smell a Rat (Trikont/Yellow Eye)

 |   |  1 min read

Ruth Brown: Please Don't Freeze
Various Artists: Roll Your Moneymaker, I Smell a Rat (Trikont/Yellow Eye)

Subtitled “Early Black Rock'n'Roll” these two parallel volumes (Roll is 1948-58, Rat is 1949-59) pick up some classic, dirty, thrilling rock'n'roll from the time before and through the Elvis Presley years, but often sound much more scandalising and sexualised than even The King.

So across these two discs – and you need both – are the great Ike Turner (You've Got To Lose, She Made My Blood Run Cold), the menacing Howlin' Wolf (You Gonna Wreck My Life, Poor Boy), the leather larynx of Etta James (W-O-M-A-N, Nobody Loves Me Like You Do), Sister Rosetta Tharpe (Jericho, Can't No Grave Hold My Body Down) and less familiar tracks by the likes of Little Willie John, some early Chuck Berry, Johnny Guitar Watson (the terrific and silly Space Guitar), Slim Harpo, Otis Rush, Bo Diddley . . .

Generations of white musicians have listened to and lifted from this urgent, evocative music (the Stones to George Thorogood and beyond) and it semed to been secretly encoded with hard truths.rat

This was “race music” at the time and so was speaking directly to an almost exclusively black audience and you can hear in some instances how it morphed and was often diluted so it would cross over.

But on these 50 tracks there is a raw, lo-fi urgency – and sometimes a menace -- that comes off as a force of untamed nature.

The ideal companion volumes to those terrific sets of The History of Rhythm and Blues (see here) which fill in the broader picture.

A reminder that rock'n'roll was black well before Bill, Elvis, Jerry Lee and Buddy.

Play loud.

Share It

Your Comments

post a comment

More from this section   Music articles index

Neil Young: Storytone (Warners)

Neil Young: Storytone (Warners)

We've mentioned this before so at the risk of being predictable . . . the problem with “unpredictable” Neil Young these days is that he has become predictable. So after Le Noise (true... > Read more

The Zac Brown Band: You Get What You Give (Atlantic)

The Zac Brown Band: You Get What You Give (Atlantic)

No surprise that Captain Cruise-Control, the laidback Jimmy Buffett, appears as a guest here because about half the songs have Buffett's easy Caribbean-country flavour and the world isn't something... > Read more

Elsewhere at Elsewhere

George Harrison: Dream Scene (1968)

George Harrison: Dream Scene (1968)

This appropriately entitled piece is serious headphone listening for the wee small hours and is perhaps among the most strange things George Harrison's name was ever attached to. It appeared on... > Read more

The Temptations: Message from a Black Man (1969)

The Temptations: Message from a Black Man (1969)

In its early days Motown didn't directly address political issues -- although there's a good case to be made that its very existence and popular success was, like rock'n'roll of the Fifties, a... > Read more