The Tin Syndrome: Artefacts Which Reason Ate 1980-83 (Jayrem)

 |   |  1 min read

The Tin Syndrome: Plastic Bag (1980)
The Tin Syndrome: Artefacts Which Reason Ate 1980-83 (Jayrem)

The Tin Syndrome were very much a Wellington band in a number of ways. Their reputation didn't translate much into the rest of New Zealand in the early Eighties, but more than that they also had what we might call "Wellington" concerns to the fore.

If you live in the capital city of any Western country you are bound to see a lot of men in grey suits (politicians, bureaucrats, party hacks and the like) and as a young person conclude they are plastic, conformist and not your type. They are targets, if somewhat obvious ones.

So on this musically interesting compilation of demos, singles and live recordings you get song titles like Man in Grey, Random Wellingtonian, The Rules, Wellington Again . . . 

It was one of those ironies of the period that people used the new machinery (computers, synths) to skewer others for their machine-like existence, as happens here.

The Tin Syndrome began as a post-punk band with more than a passing interest in the jerky rhythms of ska. But there was also something else going on: they took the quirky, stuttering off-beat sound of early Split Enz (and in the early days some of the pancake make-up look) one step further into skewed dance-pop with electronic squirts and fills in the manner of Brian Eno's noises in early Roxy Music.

Some of Mark Austin's vocal mannerisms recall Tim Finn, but the guitars (Austin, David Long) combined with Kevin McGill's snappy bass lines (and of course those synth squiggles and "orchestrations" by Peter Robinson) have stood up well. Drummer Malcolm Reid wasn't to be underestimnated either.

Of course it feels dated in places (it is arch electro-pop of its time, and you have to care about Wellington life in the early material) but this is certainly an impressively packaged look back. 

With some tracks having new vocals or parts added this also looks like it is slightly revisionist vanity publishing from former band members who have gone on and done usefully money-making projects. (There's also a "revived" CD edition of their '85 album No Ordinary Sickness released simultaneously.)

That's not a problem of itself because even though they were a footnote in New Zealand rock history, they were certainly interesting enough. Anyone wondering what Split Enz might have sounded like if they'd come from Wellington in the dancing electro-Eighties need only tune into this.

Like the sound of this? THen check out this.

Share It

Your Comments

post a comment

More from this section   Music at Elsewhere articles index

Flip Grater: While I'm Awake I'm At War (Maiden)

Flip Grater: While I'm Awake I'm At War (Maiden)

New Zealand singer-songwriter Flip Grater has a rare distinction at Elsewhere: she's the only artist so far who has previously had music posted (here) as well as recipe (here) which she picked up... > Read more

Death Vessel: Nothing is Precious Enough For Us (SubPop/Rhythmethod)

Death Vessel: Nothing is Precious Enough For Us (SubPop/Rhythmethod)

Just bringing this one to your attention because the band name might sound like a warning to many.Nope, this isn't death metal or anything much louder than acoustic guitars (mostly) -- but even if... > Read more

Elsewhere at Elsewhere

Ray Charles: In Person (1959)

Ray Charles: In Person (1959)

The legendary song-plugger, record exec, talent scout and record producer Jerry Wexler (who coined the phrase "rhythm and blues"  in '49 for Billboard magazine's black music charts... > Read more

Alan Brown: Composure (alanbrown.co.nz)

Alan Brown: Composure (alanbrown.co.nz)

This very welcome release is another installment from improvised ambient sessions recorded on a Steinway by pianist Brown in the concert chamber of the Auckland Town Hall in August 2014. The... > Read more