Omar Carmenates: The Gaia Theory (Rattle)

 |   |  1 min read

Omar Carmenates: Waiting: Still
Omar Carmenates: The Gaia Theory (Rattle)

At its most extreme interpretation (as some have joking applied it), the Giaia theory which contends all life on Earth is interconnected says if a butterfly flaps its wings in China there may be a tornado in Kansas some time later.

Okay, that is ridiculously extreme but the principles of interconnectivity would seem to be becoming more and more apparent as species die out and others (their predators or food source) inevitably also suffer. Get rid of all but the most domesticated of cats in New Zealand for example, and mice and rats might flourish as much as native birds so . . .

American composer and associate professor of music in South Carolina uses the broad notion of Gaia/interconnecivity as applied to music for this quietly intense and beautfully produced (and packaged) album where perhaps the thread which links all of Mankind on a musical level is rhythm.

These eight pieces (two versions of New Zealand composer John Psathas' Waiting: Still, dedicated to Jack Body) have at their core percussion ensembles of varying sizes ( from solo to quartet) as well as marimba, gamelan, tuned flowerpots (a la Stephan Micus) and electronically generated rhythms.

Some of these seem hypnotically  simple and improvised (. . . folded . . . by American composer Brian Nozny, for solo marimba and percussion quartet) but also have an almost intense mathematical structure. Others have a driving intensity like you've arrived at the middle of jazz drummer's solo spot and all the mates have dropped by to add their ideas (Psathas' 4BY4 for percussion quartet).

About Waiting: Still, Psathas says he had been encouraged by Body to join the university's gamelan orchestra but he declined. This new piece -- based on a pattern from his earlier Waiting for the Aeroplane which appeared on Rattle's Rhythm Spike album of '99 --  now brings the mesmerising sound of gamelan into play on a piece which is weightless yet full of emotional resonance.

Immediately after is the much more earthy Scavenger's Footprints by American composer Christopher Deane which uses found percussion (junkyard stuff in some instances) and then there is vibraphone and tuned flowerpots on David Skidmore's spacious and delicate Requiem; MVT 1.

So even though this might seem to be a limited palette of instruments, they way they are applied in these diverse, melodic and often very beguiling pieces -- Christopher Adler's 20 minute Once in a Grove of Tamarisk is delightful --  makes for an album that offers constant and gentle surprises.

And, perhaps true to the Gaia ethic, all seem somehow related. 

Share It

Your Comments

post a comment

More from this section   Music at Elsewhere articles index

Fat Freddy's Drop: Dr Boondigga and The Big BW (The Drop)

Fat Freddy's Drop: Dr Boondigga and The Big BW (The Drop)

I was among the seven people in the country who wasn't totally besotted with Fat Freddys' debut Based on a True Story (although perhaps a more appropriate title might have been Based on a Best... > Read more

RECOMMENDED RECORD: Dimmer: Live at the Hollywood (digital outlets)

RECOMMENDED RECORD: Dimmer: Live at the Hollywood (digital outlets)

From time to time Elsewhere will single out a recent release we recommend on vinyl, like this double which comes in a gatefold sleeve and a classy cover. Check out Elsewhere's... > Read more

Elsewhere at Elsewhere

TIGERS OF THE MIND by MICHAEL MORRISSEY

TIGERS OF THE MIND by MICHAEL MORRISSEY

Some writers pace themselves for the sprints or middle-distance in short story collections or maybe a novel or two. Others, like Michael Morrissey, are long-distance runners. Morrissey's... > Read more

FRANK ZAPPA. AGAIN (2011): Just one more time . . .

FRANK ZAPPA. AGAIN (2011): Just one more time . . .

The irritation, pleasure and difficulty with Frank Zappa was that he was always part of rock culture - but not exactly a rock musician. Well, not when it suits him. “Being a rock star... > Read more