Graham Reid | | <1 min read
After his excellent but demanding concept album trilogy (Chavez Ravine, My Name is Buddy, I Flathead) then two political albums (Pull Up Some Dust, Election Special), Cooder's mainstream audience might have been tuning out.
This live album recorded two years ago – his first in 35 years – might be the commercial corrective because it has an easy familiarity with well-known covers (Crazy 'Bout an Automobile, The Dark End of the Street, Sam the Sham's gimmicky Wooly Bully) alongside Spanish soul (Volver Volver sung by Juliette Commagere who appeared with him here four years ago), irony (the white man's complaint on Lord Tell Me Why), a nasty and up-dated treatment of Woody Guthrie's Vigilante Man, blues (Goodnight Irene) and lively accordion from guest Flaco Jimenez.
There's spontaneity here (Cooder caught saying to Jimenez off-mike, “Go ahead Flaco” before a solo), an audience whooping with enjoyment, a 10-piece Mexican brass band backing Commagere and flashes of wry Ry humour.
So this is the album longtime fans might actually want to return for because the dozen songs touch on most aspects of Cooder's long career, and showcase that exceptional guitar playing.
There is a recent in-depth interview with Ry Cooder here.