Rupa: Disco Jazz (Numero/streaming outlets)

 |   |  2 min read

Rupa: Disco Jazz (Numero/streaming outlets)
Sometimes the contents of an album are just as described by the title, as with this '82 album by Indian singer Rupa (born Sukla Biswas) who graduated with a BSc but whose auditions as a singer on All India Radio fired her with optimism, even though she was turned down a couple of times.

She was finally accepted by AIR and . . .

If only this album's story were that simple: the successful audition, a recording session, a hit album . . .

But no.

It was while visiting her brother in Calgary, Canada in '81 she sang to friends at his insistence and so impressed them that she was added to the bill for a show at the university. There she met the Khan bothers Aashish – who had worked with George Harrison -- and Pranesh (sarod and tabla respectively) and . . .

Again, it's not a simple story leading to this album.

The three of them recorded at a studio in Calgary and when she went back to India the brothers with percussion player Frank Lockwood, guitarist Don Pope and others embellished the four songs which were shaped and extended into a genre of disco jazz with dance beats and Pope's guitar parts.

Needless to say the album appeared and disappeared almost simultaneously (in India it was released in October '82 during the religious holiday of Durga Puja) and she had to go and buy her own cassette copy.

And that was it: she married, had a child, worked as a textile engineer and a sometimes freelance journalist, her husband died and . . .

She occasionally performed but her album was forgotten until some of her music was used in the Bollywood film 30 years after its original release.

But it wasn't until seven years later – in February of this year – she discovered an unlicensed reissue from 2017 on the internet and that the track Aaj Shanibar had enjoyed more than a million plays on YouTube.

And now the album has officially been reissued on vinyl with liner notes and photos.

It is an odd amalgam of her soaring and sometimes high vocals, pushing space-age synths, disco beats, busy sarod and electric guitar . . . but it all adds up to something pleasing and interesting, if hardly earth-shattering.

Aaj Shanibar at eight minutes is the easy-entry dancefloor track which exudes early Eighties disco fusion-cool but the more ambitious and sometimes dramatic side-long Ayee Morshume Be-Reham Duniya – which opens with sarod and her yearning singing – is the standout.

The opener Moja Bhari Moja is most "disco" of the four tracks (with a rapid-fire sarod passage), but damn if it doesn't sound a bit like Yoko Ono's disco-rock of a few years previous.

So, Disco Jazz is not a great lost album, but it is certainly something different . . . because in truth that title doesn't fully describe the contents.

Indo-Disco Jazz Fusion might have been a more accurate title . . . but still wouldn't have helped it sell in the early Eighties.

Or now probably.


The limited edition vinyl version of this album is available through Southbound Records (here) or can be heard on Spotify here


Share It

Your Comments

post a comment

More from this section   Music articles index

Casiotone for the Painfully Alone: Advance Base Battery Life (Tomlab)

Casiotone for the Painfully Alone: Advance Base Battery Life (Tomlab)

When the superbly named CFTPA (Owen Ashworth from Chicago) played before a couple of dozen in Auckland a few years back he was utterly beguiling: a small selection of lo-fi keyboards; a voice... > Read more

Daughn Gibson: Carnations (SubPop)

Daughn Gibson: Carnations (SubPop)

Gibson from Pennsylvania has been getting some stick internationally for this, his third album. But presuming few if any here heard his previous soulfully dark-voiced outings we come to this... > Read more

Elsewhere at Elsewhere

GUEST SONGWRITERS TAMI NEILSON and DELANEY DAVIDSON on writing together for her new album Dynamite

GUEST SONGWRITERS TAMI NEILSON and DELANEY DAVIDSON on writing together for her new album Dynamite

Tami Neilson and Delaney Davidson have long been Elsewhere favourites in the broad church that is alt.country (and often not so alt). They have won shelves of awards for their songwriting and... > Read more

Tom Petty: Chair man of the bored

Tom Petty: Chair man of the bored

They say you should never meet your heroes and so it has been for me and Tom Petty. In more recent years I did a numbingly boring phone interview with a man I took to be a numbskull and prior to... > Read more