The Lemon Twigs: Songs for the General Public (4AD/digital outlets)

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The Lemon Twigs: Songs for the General Public (4AD/digital outlets)

The debut album Do Hollywood by New York brothers Michael and Brian D'Addario created a buzz in hip circles but in truth it was an uneven affair. And as we noted at the time it was a lot of parts and never the sum of them.

We let their follow-up Go to School – a concept album – go right past us but felt it was time to check in with them again because they certainly had a little something.

But here again we hear a lot of references woven together (mostly Seventies pop), self-satisfaction with their own cleverness and an over-arching insincerity about it all. What does the album title suggest to you?

The opener Hell on Wheels is an underpowered nod to Meat Loaf/Jim Steinman but with deliberately arch, sneering Lou Reed-like verses and a chorus which lacks the bombastic humour of Bat Out of Hell, Only a Fool sounds like it escaped from an earlier and lesser Todd Rundgren demo session and Leather Together is a throwaway punk/rocker thing which even they can't take seriously.

And nor they should, it's rubbish.

Yes, they are accomplished at the Seventies pop ballad (Hog which also looks back two decades further) and understand the economy of the pop single (Fight, Live in Favor of Tomorrow, the catchy The One). But mostly they serve to remind how much better (and original) their source material is.

Okay, their lyrics can be droll or wry (Why Do Lovers Own Each Other).

But now three albums in it's hard to discern if they are going to go beyond their knowing pastiches and mostly near-miss pop.

They still sound more pleased with themselves than they should be.

You get the feeling if this pop star thing doesn't work out they might just go back to acting.

.

You can hear this album at Spotify here



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