GUEST PHOTOGRAPHER JONATHAN GANLEY offers a view of Television up-close

 |   |  2 min read

GUEST PHOTOGRAPHER JONATHAN GANLEY offers a view of Television up-close

On Thursday October 24th 2013, Auckland's Powerstation hosted one of the most anticipated concerts in a long time. Especially for those who were there during that first flicker of punk and New Wave.

The bill was New York's Television, and Australian Ed Kuepper (formerly of the Saints) opening with an acoustic set.

The jury may be out on how good Television actually were, although few would argue that Kuepper was powerfully impressive.

Of Television, Elsewhere said on its Facebook the following day: "The highly anticipated Television at the Powerstation last night? Much to respect and admire, but rather less to actually enjoy. Aside from Little Johnny Jewel, the "new one" with its Middle Eastern cadences and of course the slightly extemporized Marquee Moon, this was a rather flat showing (with guitarist Jimmy Rip pulling some of the best lines). And their highly un-psychotic Psychotic Reaction at the end? Leave that one to the garagebands, I think."

But we also had there photographer Jonathan Ganley (who has appeared at Other Voices Other Rooms previously as a writer and photographer, see here) to capture this rare moment when these artists played.

What follows are some of his images from the night. We start with Kuepper then Television's Tom Verlaine (also pictured above right), fellow guitarist Jimmy Ripp and bassist Fred Smith.

Jonathan Ganley is an Auckland photographer and writer whose has frequently appeared at Other Voices Other Rooms (see here). His work has covered many subjects, notably New Zealand musicians. Some of those portraits appeared at Other Voices Other Rooms here, and a gallery of his work is available at his website pointthatthing.com All his photos are copyrighted, do not use without permission.

ed_2

ed_3

ed_9setlist

tom_2

tom_4

tom_5

jimmy_1

fred_1

Share It

Your Comments

Graham Dunster - Oct 29, 2013

I enjoyed it way more than you guys, despite the interminable between numbers tuneups. (Surely just switch guitars - there were enough of them racked at the side of the stage!) And what a pleasure it was to be at a concert where the volume wasn't racked up to maximum. Loud, but enough, not too much! Well worth the time and the money.

post a comment

More from this section   Other Voices, Other Rooms articles index

GUEST WRITER SUSAN EPSKAMP on a doco about a music festival about unity and hope

GUEST WRITER SUSAN EPSKAMP on a doco about a music festival about unity and hope

Some of the most interesting music has been immersed in the politics of its day. The attitudes of musicians are a reaction to the social, political and economic happenings that surround... > Read more

GUEST WRITER DAN DROUTSOS discovers the lost Seattle soul scene of the Seventies

GUEST WRITER DAN DROUTSOS discovers the lost Seattle soul scene of the Seventies

The 2009 documentary Wheedle's Groove chronicles the brief yet intense heyday of Seattle's soul music scene, which bubbled up and simmered down again within the space of a few short years, and... > Read more

Elsewhere at Elsewhere

TRASHY OLD MOVIES, TRASHY YOUNG PEOPLE (2021): Sex and drugs and out of control

TRASHY OLD MOVIES, TRASHY YOUNG PEOPLE (2021): Sex and drugs and out of control

Every now and again we need to remind ourselves just how appalling young people are. They smoke and drink, they take drugs and skip off from school or work. They are... > Read more

Various Artists: Kinshasa One Two (Warp)

Various Artists: Kinshasa One Two (Warp)

Just as Muhammad Ali used to say that boxing was the way of introducing himself to the world, you start to wonder if Blur wasn't just the initial vehicle to allow Damon Albarn to get on and do... > Read more