Lee Clayton: Industry (live, 1989)

 |   |  1 min read

Lee Clayton: Industry (live, 1989)

Rocking country singer Lee Clayton out of Alabama and Tennessee almost made the big time at the end of the Seventies with two exceptional albums, Border Affair and Naked Child.

In some ways he was ahead of his time and if they had arrrived around the same time as James McMurtry, Chris Whitley and a few others a decade later he might have been seen as a part of a tough-minded and poetic movement of blues-influenced country artists who'd grown up with rock music.

But Clayton was a man out on his own for the most part, an outlaw we might say -- and indeed he is the man who wrote Ladies Love Outlaws which Waylon Jennings had a big hit with and ushered in the Waylon/Willie Outlaw Movement.

There was a darkness about Clayton's music -- I Ride Alone was a typical title -- and he sang about tequila and cocaine damage, the dream of playing at Madison Square Garden and of apocalyptic visions from the Book of Revelations.

After the conspicuous commercial failure of those two album -- despite positive reviews -- Clayton's star began to slide and he only made one more studio album, The Dream Goes On.

But late in the Eighties he turned up with an album in a downplaying title, Another Night, which was recorded live in Oslo with a brittle Norwegian four-piece.

At the time I reviewed it I noted that it lacked some of the sheet lightning delivery which Clayton had brought to his earlier work and that most of it sounded just off target -- except for this track.

Industry is as powerful and angry a statement you will ever hear about the military-industrial complex and the band here -- all about half his age -- fire on all cylinders.

Lee Clayton seems to have disappeared -- his albums are constantly reissued on CD however, and Cat Power did a dull cover of his always ordinary Silver Stallion on her Jukebox album -- but he is not forgotten.

And Industry -- here lifted from surface noise vinyl for your pleasure -- is unforgettable.

For more one-offs, oddities and songs with a backstory see From the Vaults

Share It

Your Comments

Mike - Dec 2, 2013

Usually I remember why I buy albums by artists I had not heard of at the time ($1 bin and cover being the main reason) but have no recollection of why I bought Naked Child at import price (Colin Morris recommendation?). However it may have been my first Americana LP. Was delighted when I hauled out my vinyl copy after years in storage and it played like new. I ride alone, jaded virgin and a little cocaine particular favourites. At the time it sat happily between clash and devo albums confusing people leafing through my collection.

post a comment

More from this section   From the Vaults articles index

RM Hubbert: Sunbeam Melts the Hour (2012)

RM Hubbert: Sunbeam Melts the Hour (2012)

Okay, here's what you need to do. Just play the posted track, shut your eyes and try to pick where you think this piece might have come from. Don't read on. If you've done that and... > Read more

The Savage Rose: A Girl I Knew (1968)

The Savage Rose: A Girl I Knew (1968)

Since Richie Unterberger wrote Unknown Legends of Rock'n'Roll: Psychedelic Unknowns, Mad Genuises, Punk Pioneers, Lo-Fi Mavericks and More in 1998, many of the artists he unearthed (Wanda Jackson,... > Read more

Elsewhere at Elsewhere

Elvis Presley, The Memphis Record (1969)

Elvis Presley, The Memphis Record (1969)

The consensus on Elvis Presley's genius among rock critics settles on two periods: his Sun Studio days in the mid 50s when he fused black blues and white country, and his famous '68 television... > Read more

GUEST WRITER JEFFREY PAPAROA HOLMAN on the bard of the public bar

GUEST WRITER JEFFREY PAPAROA HOLMAN on the bard of the public bar

“The stage is good . . . it’s part of my page”. Somewhere, in one of the many clips of Sam Hunt coming off stage that flicker through the DVD The Purple Balloon And Other... > Read more