The Herd: From the Underworld (1967)

 |   |  1 min read

The Herd: From the Underworld (1967)

It's not often Greek mythology cracks the top 10, but the Herd managed to do it with song from the autumn of love (September '67) which is based on the Orpheus and Eurydice story.

After the death of Eurydice, Orpheus travels to the underworld and by using music he melts the hearts of the gods down there who agree to let the missus come back into life. The deal however is that she must walk behind Orpheus on their journey out and he is not to look back.

But you can guess what happened.

Actually you don't need to, the lyrics tell you that.

Oddly enough this hit for the Herd -- their first -- was written by Ken Howard and Alan Blaikley who had previously been responsible for a series of almost novelty hits for Dave Dee, Dozy, Beaky, Mick and Titch (Hold Tight, Zabadack and The Legend of Xanadu among them) as well as the terrific chart topper Have I the Right? by the Honeycombs.

They later wrote for Elvis (the great I've Lost You) and knocked out a musical based on the book The Secret Diary of Adrian Mole.

Versatile writers indeed.

Of just as much note in this rather gloomy song was the 17-year old singer: Peter Frampton whose good looks got him dubbed The Face of '68.

The Herd has les success with their follow-up Paradise Lost a couple of months later but then with Frampton on Rave magazine's cover they soared again with the relentlessly poppy I Don't Want Our Lovin' to Die.

Too poppy for Frampton who quit at the end of the year -- the band had already dumped managers Howard and Blaikely -- and went on to form Humble Pie with former Small Faces singer Steve Marriott.

His massive Frampton Comes Alive double album was still some way in the future and, unlike Orpheus, he was smart enough to not look back. 

For more oddities, one-offs or songs with an interesting backstory use the RSS feed for daily updates, and check the massive back-catalogue at From the Vaults.

Share It

Your Comments

Debbie D. - Jun 19, 2019

Thanks for this blast from the past! I was living in Europe then and totally caught up in the whole "Youthquake" movement. I just republished a blog post about that very thing and linked back to this article. Most people don't know about Peter Frampton's early success as "The Face". I'll share the link and hope it doesn't violate your commenting rules. P.S. You have a fabulous website! Looking forward to reading much, much more. Cheers! P.P.S. Do you have a twitter account? I didn't find one but did like your Facebook page. https://thedogladysden.com/youthquake-europe-1960s/ GRAHAM REPLIES: Sorry I don't do Twitter although I am told I should. One day when I'm young again I will!

post a comment

More from this section   From the Vaults articles index

John Cale: Mercenaries (1980)

John Cale: Mercenaries (1980)

Born of its political era and John Cale's peculiarly damaged consciousness at the time, this menacing live recording captures an embittered spirit, a rare rage and a grim humour. As Mikal... > Read more

Pete Townshend: Behind Blue Eyes (1983)

Pete Townshend: Behind Blue Eyes (1983)

In '83 Pete Townshend of the Who released the first of three double albums of demos, outtakes, working drawing for songs and unspecified instrumental tracks. Under the generic title Scoop --... > Read more

Elsewhere at Elsewhere

HISTORY ACTUALLY REPEATS (2014): Rare, lost or out-of-print New Zealand music gets a second coming

HISTORY ACTUALLY REPEATS (2014): Rare, lost or out-of-print New Zealand music gets a second coming

This week I was invited to a function in Auckland hosted by recordedmusic.co.nz. The event -- at which Shona Laing and John Hanlon performed -- was entitled Tied to the Tracks, named after a... > Read more

Melbourne, Australia: Little photos, big stories

Melbourne, Australia: Little photos, big stories

Barely two minutes walk from furiously busy Flinders Street Station in central Melbourne is an extraordinary sixth floor museum which few locals know about. And even fewer visitors to the city.... > Read more