Campbell, Rae, Dyne: Storm in a Teacup (Rattle Jazz)

 |   |  1 min read

Campbell, Rae, Dyne: No Show Blues
Campbell, Rae, Dyne: Storm in a Teacup (Rattle Jazz)

For an album which swing as much as it edges towards fluid bop, this outing by guitarist Al Campbell, drummer John Rae and bassist Paul Dyne, teases you into it with the opener, Rae's rhythmical stop-start Just Me Just Me, during which you are never quite sure where it is headed.

Campbell's guitar hits a repeated figure, then bends notes while Dyne (presumably) scratches his strings before establishing a quiet walking pace. And then the melody emerges again just in time to tickle you before it comes to what, on repeat plays, is a logical conclusion.

You know you are in for fun and a good time as well as being challenged, although what follows in Campbell's No Show Blues is where they swing along and Rae conjures up the spirit of Joe Morello on Take Five with a taut, slippery solo over Dyne's solid, melodic and supportive backdrop.

That sense of rhythmic playfulness is evident throughout (they hit an intuitive peak on Dyne's There Wont), Rae gets a brief solo spot with the appropriately titled Hands On at the album's midpoint and Suspended Light which follows is -- as the title also suggests -- a more weightless and quiet affair where there is a keen dialogue between Dyne and Rae while Campbell's skittering and liquid playing veers between delicacy and muscularity in a fine balancing act.

That slightly more assertive style also comes through in Milton's (Many) Words which however doesn't quite take off as it might have. Just as you feel they have warmed to it and are ready to dig deep and hard, it pulls back into a fairly standard swing style.

However Campbell grasps the melancholy in Irving Berlin's White Christmas in a short, slow treatment.

Recorded at the New Zealand School of Music in Wellington, this is an accomplished album which ultimately offers fewer and smaller surprises than that enticing opener suggests, and if it pulls back from the edge more often than some might like, that takes nothing away from its coherence, charms and almost psychic understanding these three players have.

Like the sound of this? Then check out this.

Share It

Your Comments

post a comment

More from this section   Jazz at Elsewhere articles index

Stefano Bollani: Stone in the Water (ECM/Ode)

Stefano Bollani: Stone in the Water (ECM/Ode)

After the superb duet album The Third Man with trumpeter Enrico Rava, this one by pianist Bollani (with bassist Jesper Bodilsen and drummer Morten Lund) was always going to attract the attention of... > Read more

MEREDITH MONK PROFILED (2013): Art for art's sake

MEREDITH MONK PROFILED (2013): Art for art's sake

New Yorker Meredith Monk (born 1942) has created a world of her own between the vocal art-music of Laurie Anderson, contemporary dance and cutting edge film, avant-theatre and that place Bjork... > Read more

Elsewhere at Elsewhere

ELMORE JAMES: Sliding with the king

ELMORE JAMES: Sliding with the king

It has been almost half a century since Elmore James bent over to pull up his socks before going out to play in an Chicago nightclub . . . and went face down on to the floor with his third and... > Read more

Belvedere Estate, Republic of Ireland: When families fall out

Belvedere Estate, Republic of Ireland: When families fall out

When posh people fell out in the old days they often did it with a grand statement. Not for them cutting up the clothes or taking a key along the side of the car. They went for the big gesture... > Read more