Ethnic Heritage Ensemble: Be Known; Ancient/Future/Music (Spiritmuse Records)

 |   |  <1 min read

Ethnic Heritage Ensemble: Be Known; Ancient/Future/Music (Spiritmuse Records)

At a time when some young jazz musicians are reaching back to the project of black American spiritual and political jazz for their platform, it's thrilling that this long-running outfit steered by Chicago percussion player Kahil El'Zabar delivers an album as emotional and as powerful as this.

Located somewhere between the Art Ensemble of Chicago, Sun Ra, the Revolutionary Ensemble, Albert Ayler and others who advanced the project of free jazz and collective playing in the Seventies, this is deeply grounded with terrific energy from baritone saxophonist Alex Harding, trumpeter Corey Wilkes and cellist Ian Maksin.

There's a yearning on Little Sunflower (dedicated to trumpeter Roy Hargrove who died last year, a later version of the same is for Freddie Hubbard) and a more vigorous workout on Blew It (for Hamiet Bluiett).

There is also Pharoah (for Mr Sanders) and Ntozake is a lament for Ntozake Shange, the black feminist writer who also died last year.

With touches of funk, a hint of West Africa and the ambition of the ancestors cited, this is as excellent album which, while grounded in the past, seems utterly contemporary given the success of Kamasi Washington, The Comet is Coming, Sons of Kemet and others.

You can hear it at Spotify here.


Share It

Your Comments

post a comment

More from this section   Jazz at Elsewhere articles index

John Surman: The Spaces in Between (ECM/Ode)

John Surman: The Spaces in Between (ECM/Ode)

British saxophonist Surman's career has been a pleasure to follow: right from early ECM albums such as Upon Reflection ('79), The Amazing Adventures of Simon Simon ('81) and, especially, Private... > Read more

Yellowjackets: Raising Our Voice (Mack Avenue/Southbound)

Yellowjackets: Raising Our Voice (Mack Avenue/Southbound)

LA's Yellowjackets have been making a kind of fusion jazz – sometimes erring towards MOR jazz-lite, less frequently to a more soul/r'n'b sound – for well over 30 years and have... > Read more

Elsewhere at Elsewhere

Clarence 'Gatemouth' Brown and Billy Joel: Bad cop, good guy

Clarence 'Gatemouth' Brown and Billy Joel: Bad cop, good guy

It was bluesman Clarence 'Gatemouth' Brown who taught me a valuable lesson very early on: it was possible to like a man's music and not like the man who made it. Billy Joel confirmed the opposite:... > Read more

GUEST WRITER NICK D on a weird night and Indo-dance pop

GUEST WRITER NICK D on a weird night and Indo-dance pop

Returning from the success of last year’s incredible sell-out reopening of Auckland’s St James Theatre, A Weird Night Out is back. On Friday 8 July, the Weird Together collective... > Read more