Luke Jackson: . . . And Then Some (Popsicle)

 |   |  1 min read

Luke Jackson: Come Tomorrow
Luke Jackson: . . . And Then Some (Popsicle)

After a mention of the late Robert Kirby's string arrangements in a review of the Magic Numbers' The Runaway, this Canadian singer-songwriter with a well-stamped passport got in touch: he too had benefited from Kirby's smart touch.

And he sent on a copy of this album which opens with a classic blast of power-pop (Come Tomorrow, the title even sounds like Badfinger/Raspberries/Big Star) . . . but that is just one of the many strings to his.

For Trouble he unashamedly borrows from Oasis' Wonderwall as a starting point for a quiet ballad (with flute and celeste), Goodbye London is a bristling, good natured punk-edged pub-rock poke: "Who's gonna fleece me on a Friday, who's gonna offer me cheap skunk? Goodbye Camden, goodbye dodgy Thai cuisine . . . Goodbye London, I won't forget that you were always good for me".)

But there is quiet here too: the acoustic ballad A Little Voice has a reflective, pastoral quality; and the closer is the insightful The Fear (both with gorgeous Kirby strings).

Recorded in Sweden in the studio of former Roxette member Christoff Lundquist and with help from longtime friend Magnus Borjeson (who has played with power-pop charmers the Cardigans), this album is unrepentantly pop of the old style, framed by the mid-period Beatles and Badfinger, with the lyrical smarts of an astute observer of life: "At the end of the game when you cash in your chips, wil you have the answer on your lips? Like Icarus flying too close to the sun, searching for a way to come undone."

And he has a sense of humour: one track is entitled 1970's Kids TV Show Theme, and it sort of is.

In the international press -- Canada, the UK and various parts of Europe -- Jackson has been placed on the same songwriting axis as Brian Wilson (which I don't hear myself) and the Teenage Fanclub (yep).

Wherever you place him however, he makes intelligent adult-themed pop which can be pumped up for the driving, life-affirming jangle of Come Tomorrow or soaked in gently on the more intimate tracks.

For more on Luke Jackson go here

Share It

Your Comments

post a comment

More from this section   Music at Elsewhere articles index

Rewind Fields: Rewind Fields (bandcamp)

Rewind Fields: Rewind Fields (bandcamp)

A decade ago Emily Rice was an up-and-coming singer-songwriter at the University of Auckland and was, two years in a row, a finalist in the annual songwriting competition. So she knows a good... > Read more

The Black Seeds: Fabric (Black Seeds)

The Black Seeds: Fabric (Black Seeds)

In our overseas absence the Black Seeds got the media vibe going in anticipation of this new album, which of course went past us. But did we really miss the excitement? On the evidence... > Read more

Elsewhere at Elsewhere

Debashish Bhattacharya: Calcutta Slide Guitar (Elite)

Debashish Bhattacharya: Calcutta Slide Guitar (Elite)

In 2003, I chose the Mahima album by Bhattacharya and American guitarist Bob Brozman (who played at Womad that year) as one of the best of the year in the Herald with the comment that their musical... > Read more

GUEST WRITER NICK SMITH concludes communism is good for something . . .

GUEST WRITER NICK SMITH concludes communism is good for something . . .

Some of the best pop music ever written sprang from the need to sing about the forbidden, particularly by dipping into that well-spring of denied human desire. In western culture, forbidden... > Read more