Various Artists: Tuareg Music of the Southern Sahara (Folkways)

 |   |  1 min read

Tarakemt
Various Artists: Tuareg Music of the Southern Sahara (Folkways)

Recently someone posted a link on Facebook to this You Tube piece entitled The Best Guitar Music Today is Coming From the Sahara Desert.

Regular readers of Elsewhere would have known that a long time ago as we have frequently written about Etran Finatawa, Tinariwen, Tamikrest, Terakaft, Malouma and many others.

But there was, of course, music by the Tuareg people of the sub-Sahara long before the West discovered the unique guitar music from the region.

In fact as far back as 1960, Finola and Geoffrey Holiday did field recordings (sand recordings?) there and they were produced by Moses Asch and released on his Folkways Records label.

Now reissued on vinyl through the Smithsonian Folkways archive, the album shines a light on the vocal music (much of it by women) in those decades before electric guitars became the instrument of choice for a different generation.

So here on this album – with excellent historic liner notes by the Holidays reproduced to explain the larger religious and historical context – are songs of love, in celebration of artisans who make their utensils, saddles for camels and such, wedding songs, desert demons and their rare dances.

Not a guitar in earshot.

But water drums, tambourine, tendi (see the photo of the men below), handclaps, conversations, ululations, children laughing and shouting, single string fiddle (at a guess) . . .

Yes, it is all in Tamashek and perhaps of more interest to ethnomusicologists than those who have danced along to Tinariwen at a Womad or immersed themselves in the sinuous guitars on the recent Tamikrest album.

But there is something beguiling about these untutored and often joyous voices and the simple percussion.

It is like being transported to a world which is unfamiliar today and was even more so six decades ago.

This Tuareg album is released as part of three vinyl reissue alongside two other equally historic recordings, Gambian Griot Kora Duets and Lord Invader's Calypso Travels.

You can find out more about them here.

Here are some Tuareg images from the Moses and Frences Asch collection, used with permission.

.

Tuareg_Dance_and_Women_Playing_the_Water_Drum__photo_courtesy_of_the_Moses_and_Frances_Asch_Collection

.

Tuareg_men_playing_tendi__photo_courtesy_of_the_Moses_and_Frances_Asch_Collection


Share It

Your Comments

post a comment

More from this section   World Music from Elsewhere articles index

Seckou Keita: 22 Strings (MWLDAN/Ode)

Seckou Keita: 22 Strings (MWLDAN/Ode)

The title of this exceptional album by the gifted kora player Seckou Keita refers to the fact that the 21-string kora originally had one extra string  . . . but that was removed centuries ago... > Read more

Taraf de Haidouks and Kocani Orkestar: Band of Gypsies 2 (Crammed Discs)

Taraf de Haidouks and Kocani Orkestar: Band of Gypsies 2 (Crammed Discs)

The rather mouthful of an album title tells you that this is forced marriage of two Romany groups teaming up to celebrate the Taraf's 20th anniversary. This album comes a decade on from... > Read more

Elsewhere at Elsewhere

PENETRATION. MOVING TARGETS, CONSIDERED (1978): Post-punk rock'n'roll from up t'north

PENETRATION. MOVING TARGETS, CONSIDERED (1978): Post-punk rock'n'roll from up t'north

The first gobs of British punk in 1976-77 were mostly short, sharp, angry and anti-establishment (and sometimes anti-social) songs which made a virtue of energy over accomplishment. But that... > Read more

THE VEILS, REVIEWED (2023): Upon this rock music I will build my church

THE VEILS, REVIEWED (2023): Upon this rock music I will build my church

Should anyone doubt the capacity of popular music to achieve the spiritual, they only needed to have been in an audience when Leonard Cohen sang Hallelujah. Or when an audience sang a hymnal... > Read more