CAN'S CLASSIC TAGO MAGO; 40 YEARS ON (2011): Pre-post-rock with a sonic sweep

 |   |  2 min read

Can: Mushroom (live 1972)
CAN'S CLASSIC TAGO MAGO; 40 YEARS ON (2011): Pre-post-rock with a sonic sweep

If you applied cold logic, on paper most band line-ups wouldn't make much sense. With hindsight you can see the internal faultlines which would pull apart so many of them.

None of that matters of course, as long as at some point they make great music.

And Can out of Germany certainly did that, although on paper the line-up for their extraordinary Tago Mago album of 1971 -- a highwater mark for not just Krautrock, but the genre of "post-rock" 35 years before anyone had a name for it -- made little sense at all.

In their ranks they had a free jazz drummer (Jaki Liebezeit), a Japanese busker who sang in some weird Jap-English language of his own invention (Damo Suzuki), a classical pianist and teacher who had studied under classical avant-gardists Stockhausen and Berio (Irmin Schmidt), one of his students (guitarist Michael Karoli) and bassist Holger Czukay who also studied Stockhausen.

can_holger_czukay_malcom_mooney_kenji_damo_suzuki_jaki_liebezeit_german_krautrock_9bPut that before a record company executive today -- or indeed at any time -- and you'd guess there would not only be no contract but also an interesting and fast walk back to the elevator in the company of security guards, if not nurses carrying wraparound white jackets.

But those were the musicians who assembled to record Tago Mago, an album of extraordinary atmospherics, rock textures and loping rhythms, spare melodic lines, careering keyboard, and guitar parts which head off into the psychedelic.

On paper or on-line, that also makes no sense.

Tago Mago did -- and does even today, 40 years after its release -- sound ahead of the game and in a cosmos of its own. Its influence may not be readily apparent in current rock, but just as the Stones spawned Aerosmith and they spawned Guns'N Roses there is a clear trickle-down.

Although part of the broad church that was Krautrock, Can anticipated more recent post-rock (musicians using rock instruments for purposes other than "Are you feeling alrrrriiiiight, Cleveland?") and even a kind of jazz-fusion which leans more to the early Pink Floyd sonic tapestry.

Because Tago Mago is such an exceptional document it has long been an Essential Elsewhere album and so is considerd in depth here.

4187Al3dq8L._SL500_AA300_But we should acknowledge the 40th anniversary reissue which comes with excellent liner essays which include Duncan Fallowell's '72 article on Can in Melody Maker which became the liner notes for the UK release, Bobby Gillespie from Primal Scream (who confirms John Lydon/Rotten was a huge fan and Can were an influence on PIL, which also explains why PIL bassist Jah Wobble would record the Snake Charmer EP with Can's Czukay and Liebezeit in '83) and a '07 reflection on Tago Mago by Guardian/The Wire music journalist David Stubbs.

But of greater importance is the inclusion of a 48 minute live disc (recorded in '72) which includes 10 minute treatment of the influential Halleluwah and has a hypnotic 30 minute version of Spoon (which appeared as a three minute piece on the subsequent album Ege Bamyasi).

Over the past decade or so Can have been reissued, rediscovered, recently remastered and re-presented (notably the Can book/double CD and DVD set, and permutations of that). But the enjoyable learning curve starts with the exceptional and timeless Tago Mago.

A longtime Essential Elsewhere album.

'Nuff said?

Like the sound of Can? Then check out these guys.

Share It

Your Comments

Duncan Fallowell - Dec 6, 2011

Brilliant piece. Just to note that my Melody Maker article was 1971, not 1972 as the booklet intro says - I love historical accuracy, don't you? But all the dates are accurate in my second set of notes at the end.

Best wishes, Duncan

post a comment

More from this section   Absolute articles index

GILLIAN WELCH INTERVIEWED (2004): That ol' time contemporary music

GILLIAN WELCH INTERVIEWED (2004): That ol' time contemporary music

For someone whose stark songs sound like they have come from the impoverished rural underbelly of Depression-era America, Gillian Welch seems as lively as a June-bug. She laughs readily and doesn't... > Read more

MAREE SHEEHAN INTERVIEWED (2013): The beginning of the second act

MAREE SHEEHAN INTERVIEWED (2013): The beginning of the second act

After a fine start with a series of singles in the mid Nineties (Make You My Own, Fatally Cool which used taonga puoro), awards, her debut album Drawn in Deep, and the song Kia Tu Mahea on the... > Read more

Elsewhere at Elsewhere

THE BARGAIN BUY: Lou Reed; Original Classic Album Series

THE BARGAIN BUY: Lou Reed; Original Classic Album Series

If there is any part of Lou Reed's long solo career which has been overlooked, it is collected in this bargain buy collection. The five albums here -- The Blue Mask, Legendary Hearts, Live in... > Read more

NORDIC DESIGN IN MELBOURNE (2015): Birth of the Cool

NORDIC DESIGN IN MELBOURNE (2015): Birth of the Cool

When John Lennon wrote Norwegian Wood in 1965, the song may have alluded to an affair he'd had but the title reference was very specific. It was to the fashionable Scandinavian design of the... > Read more