Gil Scott Heron: Winter in America (1974)

 |   |  <1 min read

Gil Scott Heron: Winter in America (1974)

The great pre-rap, spoken word-cum-jazz-poet Gil Scott Heron is perhaps best known for his angry The Revolution Will Not Be Televised (see clip below) in which he assailed those uncommitted or comfortable blacks who seemed to be standing on the sideline while the streets ran red and Black Panthers had their fists raised.

For him it was never "if" but "when" the people's revolution would come (and his piece sounds remarkably similar to The Last Poets' When the Revolution Comes of the same time).

But in many ways it didn't come and by the mid Seventies with significant black leaders dead (Martin Luther King, Malcolm X) or imprisoned (Panthers), the war in Vietnam still raging and Nixon back in the White House, the mood turned sombre.

On this remarkable piece Gil Scott Heron with his longtime musical collaborator Brian Jackson addresses the spirit of the nation with a sense of sadness and defeat, and places it in the greater context of American history at moments of great sorrow and confusion.

Just as Paul Simon captured something of the times in American Tune in '73 ("I don't know a soul that's not been battered, I don't have a friend that feels at ease"), so too Scott Heron here delivers a personal but universal statement imbued with deep sadness at what has come to pass.

Share It

Your Comments

Mark Robinson - May 31, 2011

I admire your selection - 4 tracks from Gil on my UK Jazz Radio show next week with this being one of them. Brilliant.

post a comment

More from this section   From the Vaults articles index

Laibach: Get Back (1988)

Laibach: Get Back (1988)

The Beatles might have been about "peace and bloody love" as a droll Ringo noted at the end of the Anthology DVD series. But in the hands of Laibach out of what we used to call... > Read more

RM Hubbert: Sunbeam Melts the Hour (2012)

RM Hubbert: Sunbeam Melts the Hour (2012)

Okay, here's what you need to do. Just play the posted track, shut your eyes and try to pick where you think this piece might have come from. Don't read on. If you've done that and... > Read more

Elsewhere at Elsewhere

THE MANGANIYAR SEDUCTION: From religion and red light

THE MANGANIYAR SEDUCTION: From religion and red light

Inspiration doesn't always come in the proverbial flash. It may emerge over a period from a number of disparate sources, as it did for Roysten Abel and his theatrical staging of The Manganiyar... > Read more

JUDY MOWATT INTERVIEWED (1990): The black queen arises

JUDY MOWATT INTERVIEWED (1990): The black queen arises

Judy Mowatt wears her unofficial title “the queen of reggae" easily. A striking figure of regal bearing, she holds her head high, and, as a member of The Twelve Tribes of Israel,... > Read more