Absolute Elsewhere

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12 Nov 2018  |  11 min read

Half a century ago when The White Album appeared, large parts of the Western world and beyond seemed to be tearing themselves apart, just six months on from the incense'n'marijuana whiff of the Summer of Love. 1968 began badly and got worse: During the Tet Offensive in January Vietcong insurgents rose up all over South Vietnam and one unit got into the grounds of the US Embassy in Saigon;... > Read more

Good Night rehearsal

STEVE KILBEY OF THE CHURCH INTERVIEWED (2018): Having to go through all these things again

11 Nov 2018  |  14 min read

Whoever first said it, someone probably centuries ago, doesn't matter because the essential truth of it holds true: Be careful what you wish for because you might just get it. In popular music the wish is often that Big Hit which can lift a band or artist from the wings and place them on centre-stage where those things they've yearned for – money, fame and acclaim – all follow.... > Read more

Reptile (from Starfish)

KIWI PSYCHE-ROCK AND POP RESURRECTED (2018): Do you think you're groovy?

11 Nov 2018  |  3 min read

Once again compilation enthusiast Grant Gillanders trawls the vaults, magazines and his very large contact book to bring another couple of installments of his usefully annotated collections of New Zealand music from a time when men's hair and collars were longer and bell-bottom trousers were de rigueur for both sexes. His on-going A Day in My Mind's Mind psychedelic rock series reaches... > Read more

LEW PRYME REMEMBERED, AT AUDIOCULTURE (2018): The silver Sixties star with a secret

10 Nov 2018  |  1 min read

It’s a measure of the popularity of singer Lew Pryme in the mid 1960s that he should appear in the John O’Shea directed music/comedy movie Don’t Let It Get You alongside Howard Morrison, the young Kiri Te Kanawa, the Quin Tikis, Herma Keil and then-hot Australian singer Normie Rowe. Pryme – with his chiselled looks, wide smile and bleached-silver hair swished back... > Read more


7 Nov 2018  |  1 min read

Directed by Lee Tamahori, the opening scene of the 1994 film Once Were Warriors is among very few viscerally powerful sequences in New Zealand cinema. The camera lingers on a picturesque scene of Aotearoa New Zealand scenery of a river and mountains … then pans down to reveal it is just a power company billboard beside a motorway slicing through urban blight. As much as its visual... > Read more

BOB DYLAN: MORE BLOOD, MORE TRACKS, THE BOOTLEG SERIES VOL. 14 (2018): Songs blowing around his skull

5 Nov 2018  |  7 min read  |  1

When David called Kevin on a freezing night in Minneapolis just after Christmas 1974 he had an unusual request. He was looking for a small-bodied Martin acoustic guitar and he thought Kevin, a brakeman on the railroad and part-time musician, may be able to help. Kevin, a guitarist, called his friend Chris who had a guitar shop in the northern district of Dinkytown and, even though he... > Read more

You're A Big Girl Now (take 2)

THE ZOMBIES: ODESSEY AND ORACLE, REVISITED (2018): Still casting its strange spell(ing)

12 Oct 2018  |  4 min read

In this 50thanniversary year of big albums, many getting expanded reissue – Beggar's Banquet, the White Album, Are You Experienced and others – there will inevitably be those whose anniversary flies by largely unacknowledged. Like the Zombies' mostly wonderful, enduring and enjoyably misspelled Odessey and Oracle. To be fair though, O&O largely went... > Read more

Beechwood Park

HARRY LYON INTERVIEWED (2018): The solo Sailor goes back To The Sea

8 Oct 2018  |  9 min read

Harry Lyon laughs. Yes, he confirms, at 68 he just released his debut solo album. But let's allow him some leeway here, after all he has been kinda busy since he first started getting paid for gigs way back in the mid-Sixties. There was the long-running Hello Sailor which he co-founded with Dave McArtney and which soon enough included Graham Brazier, both now... > Read more

Luxury Cargo

MARTIN PHILLIPPS INTERVIEWED (2018): A lone guide cutting through snow

10 Sep 2018  |  12 min read  |  1

Martin Phillipps takes the guitar off his knee so he can talk about, among many other things, the Chills' new album Snow Bound. But he immediately admits that he can leave such instruments around gathering dust. He can be “lazy” and “gave up on being a technically proficient musician a long time ago,” says the man who wrote sublime songs like Heavenly Pop Hit.... > Read more

Time to Atone

BOB DYLAN: A YOUNG PERSON'S GUIDE TO . . . (2018): The man in the irony mask

27 Aug 2018  |  5 min read

Given that his singles rarely troubled the charts, one of his few videos which gets any airtime these days is 35 years old (Jokerman) and his albums have long since ceased to appeal to a younger demographic, how might you explain Bob Dylan to anyone under 30, someone who might have only become aware of him in the 21stcentury when he was already in his 60s? Maybe you can't but you could try... > Read more

HA THE UNCLEAR; A VIDEO ESSAY (2018): Somewhere inside the outside in

1 Aug 2018  |  1 min read

With their new album Invisible Lines due out on Friday (August 3) we thought it timely to flick through the backpages of  Ha the Unclear's videos just to offer a reminder of what was and what they are now. And the conclusion is that -- then and now -- they are a quirky, melodically powerful, lyrically interesting and utterly fascinating pop-rock band with their own take on . . . well,... > Read more

PHIL SEYMOUR REMEMBERED (2018): Here then and gone yesterday . . .

18 Jun 2018  |  6 min read

If Phil Seymour – who came of age with the Beatles and the British Invasion – has been watching carefully enough he might have read the signs: the Spencer Davis Group, The Dave Clark Five, Manfred Mann . . . The clues were all there. These were Sixties bands which took their name from someone other than the singer/frontman. Spencer Davis... > Read more

Precious To Me

TAMI NEILSON, A VIDEO ESSAY (2018): Putting on the style

25 May 2018  |  1 min read

With the release of a sixth album under own name – Sassafrass! – attention once again turns to the award-winning Tami Neilson who has redefined country, brassy soul, rockabilly and rock'n'roll gospel into an amalgam which is distinct and her own. Her story has been well-canvased in the past, how the Canadian-born singer was part of their traveling family band (sharing bills with... > Read more

NEIL YOUNG CONSIDERED (2018): Every Now, and Then

14 May 2018  |  3 min read

For a long time – perhaps from even as far back as '75 – Neil Young earned the right to do exactly what he wants . . . because he just does exactly what he wants. By '75 he has moved from folk-rock to folk and rock as distinct genres as well as finding a place (sometimes very briefly) in Crosby Stills And Nash's close harmonies or going straight down to the darkest reaches with... > Read more

BOB DYLAN: THE RETURN OF THE TROUBADOUR (2018): Still on the road, heading for another joint . . .

14 May 2018  |  2 min read

Without even bothering to do a fact-check it's a safe bet that Bob Dylan's last album would have been one of the poorest-selling of his long career: It was Triplicate, a three album set of him singing standards and followed two prior single albums along the same lines, the wonderful Shadows in the Night and the somewhat lesser Fallen Angels. Even the most patient fans who accepted Shadows... > Read more

THE DURUTTI COLUMN CONSIDERED (2018): Not exactly living the life of Reilly

30 Apr 2018  |  8 min read

For most people the punk period of the late Seventies in Britain was an exciting – but short – time. As Mark E Smith of the Fall put it bluntly in his memoir-cum-rant Renegade: The Lives and Tales of Mark E Smith in 2008: “I've never aligned myself to the whole punk thing. To me, punk is and was a quick statement. That's why most of the main players couldn't handle the... > Read more

Messidor (from LC, 1981)

PUBLIC SERVICE BROADCASTING, A VIDEO ESSAY (2018): Of speed, in space and under the ground

18 Apr 2018  |  2 min read

Over three albums, a batch of EPs, impressive videos and exciting live shows, Britain's Public Service Broadcasting have created a niche for themselves between the worlds of dance, electronica, rock, art music and audio-visual spectacular. New Zealand audiences caught them at a Womad in 2015 but each of their albums -- and the attendant videos -- are mesmersing home-play delights.... > Read more

HAMMOND GAMBLE INTERVIEWED (2018): Of another career in the same town

16 Apr 2018  |  10 min read  |  2

Trees are down, power is out everywhere, the temperature has dropped and our house is freezing. So when a conversation with Hammond Gamble is relocated to the warmth of Galbraith's Ale House in Eden Terrace it's very welcome. The purpose of meeting Gamble – one of this country's finest blues-rock guitarists, an earthy singer and a much underrated and Silver Scroll-winning songwriter... > Read more

EILEN JEWELL INTERVIEWED (2018): Got them weird, oldtime blues again

13 Apr 2018  |  6 min read

The weather’s often like this at this time, raining and cold,”says Eilen Jewell from her hometown of Boise, Idaho. “It’s the only time of year that it rains, because of the desert here, and most of that rain happens during this month.” Not that she, her drummer/husband Jason Beek, their young daughter Mavis and bandmates Jerry Miller (guitar) and bassist... > Read more

You'll Be Mine

PERE UBU REISSUED, PART FOUR (2018): The long and grinding road

6 Apr 2018  |  4 min read

Facts first: This final installment of the vinyl reissue of the singular Pere Ubu's extensive catalogue in four-album box sets comes under the title Les Haricots Sont Pas Sales 1987-1991. And it is somewhat chronologically confusing for fan-followers, because this record collection lies between two of the earlier reissue sets: The Architecture of Language 1979-1982 and Drive, He Said... > Read more

Mirror Man (from Worlds in Collision)