Jazz in Elsewhere
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LEROY JONES INTERVIEWED (2004): Trumpeter from Nawlins and the frozen North
10 Mar 2004 | 4 min read
Leroy Jones speaks exactly as you might expect from a New Orleans-born trumpet player. That slow drawl with vowels dragging easily, that slightly raspy whisper so familiar from that other great trumpeter born in his hometown. And when he laughs he also sounds like Satchmo, the great Louis Armstrong.Yet Jones is different from so many of his trumpet-playing peers. He tours with players from... > Read more
Frank Gibson Jnr: Rainbow Bridge (Ode)
7 Feb 2003 | 3 min read
Mid-last year I was asked to write the liner notes for an album by a local musician. These offers are usually politely declined for obvious reasons. But this one was different, so I agreed to pen some words if I liked what I heard. After the first listen I knew I would - no money changed hands and, should you wish, you can read my notes inside this long overdue album by Auckland drummer... > Read more
MATT PENMAN INTERVIEWED (2002): Finding a new home bass
17 Apr 2002 | 4 min read
Maybe it's that trait of self-effacement many New Zealanders have, or maybe Matt Penman is just naturally modest, but his achievements these past five years would have others bannering them large. Penman, an exceptional jazz bassist at age 27, seems almost unfazed as he speaks about recently being in Turkey, before that Russia and, oh yeah, through central Europe also, Japan a few... > Read more
MAYNARD FERGUSON INTERVIEWED (2002): And the band played on
7 Jan 2002 | 3 min read
They don't make them like Maynard Ferguson any more. At 73 he's still out there on the road almost nine months a year playing his brand of gutsy, big-band jazz to audiences in small and large venues. Yet even in the world of jazz, Ferguson is unique. At one level, he's a populist and populariser, who is known for having hit songs such as his reworking of MacArthur Park and the theme... > Read more
DAVID PAQUETTE INTERVIEWED (2001): Jazz on a summer's weekend
9 Apr 2001 | 11 min read
The view from David Paquette's makeshift office on Waiheke explains a lot. From the first-floor room in the old harbourmaster's building at Matiatia there is a vista of green grass and a narrow strip of beach. Beyond, on a clear day, the glistening harbour stretches towards Auckland in the distance.On a fine day, this is a million-dollar view. On an overcast one, Waiheke is severed from... > Read more
AUCKLAND'S LONDON BAR, CELEBRATED (2000): Half a century of sound
30 Jun 2000 | 3 min read
When the London Bar of the Civic Tavern celebrates 50 continuous years of jazz in a three-day festival you hope the organisers will have invited someone who was a regular all that time.Ask around any of the musicians who have played there down the decades and one name keeps coming up: "Oh, whatzizname-now?"This mysterious character appears in every conversation with jazz musicians,... > Read more
Cecil Taylor Unit/Roswell Rudd Sextet: Mixed (Impulse!/Universal)
1 Jun 2000 | 1 min read
Just as composer, multi-instrumentalist and, for want of a better word, "jazz" musician Ornette Coleman has undergone critical and public rehabilitation this past couple of decades, so too the abstract and angular playing of pianist Cecil Taylor is now finding its way closer to the centre of the main frame. That said, both Ornette's and Cecil's most recent free-form stuff is on... > Read more
TOM LUDVIGSON OF BLUESPEAK, INTERVIEWED (1999): Blues in the night
8 Feb 2000 | 2 min read
As an Auckland late-night jazz group, Bluespeak confront that most curious of problems - the criss-cross nature of various members' careers means they rarely perform live these days. Greg Johnson, the singer, composer and trumpeter with the cool mood outfit, is better known for his pop persona fronting the Greg Johnson Set. Pianist and co-composer Tom Ludvigson juggles time with - among... > Read more
CHRIS BARBER, INTERVIEWED (2000): Skiffling for a buck
7 Feb 2000 | 4 min read
Walk into any decent record shop and there is Chris Barber's name up front on a new album, The Skiffle Sessions: Live in Belfast, recorded last year with Van Morrison, legendary New Orleans piano man Dr John and Lonnie Donegan, the man credited with founding the skiffle movement in 1954 when he sang Rock Island Line.What history books seldom note is that at the time, Donegan, whose skiffle... > Read more
CHARLIE HUNTER, INTERVIEWED (1999): Has guitar. crosses over
6 Dec 1999 | 3 min read
Five years ago, in a smart career move, hot young jazz guitarist Charlie Hunter crossed from the jazz margins into the mainstream with a cover of Nirvana's Come As You Are on his first album for the venerable Blue Note label. That took him onto college radio and to an audience closer to his own age.He's carved an idiosyncratic path since. Subsequent albums have included a cover of Bob Marley's... > Read more
EDDIE DANIELS INTERVIEWED (1999): Seasons in the sun
7 Jan 1999 | 3 min read
Most jazz encyclopaedias don't give much space to clarinettist, saxophonist and composer Eddie Daniels. Certainly not as much as they should. Perhaps it's because Daniels doesn't conform to the jazz archetype of tortured artist. He is witty, smart and since graduating from New York's prestigious Julliard in 1966 has always been in work. Maybe it's because the instrument on... > Read more
Misha Alperin: Her First Dance (ECM/Ode)
26 Sep 1995 | <1 min read
Someone who puts you on notice is ECM pianist/composer Misha Alperin who lives in that furrowed-brow world between European jazz and contemporary classical music. There are usually few laughs to be had in his company (Ukraine-born, grew up in Moldavia, studied in Moscow, lives in Oslo, probably never seen a palm tree) and even by ECM’s somewhat frosty standards his album covers are... > Read more