From the Vaults
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Peter Cape: Coffee Bar Blues (1959)
The idiosyncratic Peter Cape (1926-79) has appeared at Elsewhere's From the Vaults previously, with his Kiwi vernacular classic She'll Be Right (here). He wrote about things that ordinary jokers and sheilas could understand and were interested in: rural life, the All Blacks, the train on the Main Trunk Line (and the food), trams, beer and betting on the horses, small towns and so on. It... more >>
Added: 22 Jun 2011
Northside: Shall We Take a Trip (1990)
The difference between the American psychedelic experience of the Sixties and that of the British can be captured in two phrases: in the States Timothy Leary was telling people to "tune in, turn on and drop out" which clearly demanded some committment. In Britain however George Harrison -- on It's All Too Much -- was offering the more measured and slightly detached perspective of the... more >>
Added: 21 Jun 2011
The Unforgiven: All is Quiet on the Western Front (1986)
Some time in the early Nineties I met up with two of the guys from Cracker at a bar in New York, and towards the end of our conversation the talk turned to what they had done before their alt.rock incarnation. John Hickman said he'd been in another band . . . and after a long pause said they had been called the Unforgiven, but that I wouldn't have heard if them. Not heard of them?... more >>
Added: 20 Jun 2011
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The Pretty Things: Don't Bring Me Down (1964)
Most people lie about their school days: no one wants to admit they were ordinary. Better to say you hung around behind the bike shed, that teachers and kids hated you for your music, clothes or whatever. Oh, and you smoked. Just makes you seem more cool and interesting -- and most people weren’t. One of the lies people who formed their musical taste in the mid Sixties... more >>
Added: 17 Jun 2011
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Perry Como: (Get Your Kicks on) Route 66 (1959)
In the hands of Chuck Berry and the Rolling Stones, Route 66 became a classic rock song -- but its history goes further back and the song has been rendered in the styles of earlier eras. And later one too. Written in '46 by jazz pianist Bobby Troup -- who said he penned it after making the trip, got the chorus quickly but couldn't think of enough words so just put in the place names -- the... more >>
Added: 16 Jun 2011
Paul McCartney: Check My Machine (1980)
In the Seventies Paul McCartney enjoyed a remarkable revival of fortunes -- at the start of the decade the Beatles broke up, he released a couple of feet-finding solo albums, got the band Wings together and did a lowkey tour of the UK, delivered Band on the Run, conquered America and the rest of the world with hits singles then witnesed Wings slowly decline. In 1980 he went into a small... more >>
Added: 13 Jun 2011
Bunny Wailer:Amagideon/Armagedon (1976)
As Bob Marley was advancing a more light-filled, if still serious, face of Rastafarianism into the world, it fell to deep roots groups like Culture, the great Burning Spear and Bob's old bandmate in the original Wailers, Bunny Livingston (aka Bunny Wailer) to deliver the darker and deeper themes. The mighty Spear sang as if he had just been freed from the shackles of slavery in a voice like... more >>
Added: 9 Jun 2011
Willie Nelson: Cowboys are Frequently Secretly Fond of Each Other (2006)
When this Willie Nelson song started to get a bit of attention around the time of the movie Brokeback Mountain, many people -- myself included -- assumed it had been prompted by that film. But the story of it goes back quite a way and the song's writer Ned Sublette tells it in his excellent book The Year Before the Flood about his time in New Orleans before Katrina and the flooding.... more >>
Added: 8 Jun 2011
Rosalie Allen: Hitler Lives (1945)
Because the name "Hitler" became such a signifier for all that was evil and his name a shorthand for the inhuman and demonic, it was inevitable that any portrayal of him as a mere man (albeit a very bad one!) was bound to offend many. Better to think of him as an aberration than a possibility. In this song by Rosalie Allen -- "The Prairie Star" who popularised the... more >>
Added: 6 Jun 2011
The Ivy League: Four and Twenty Hours (1966)
Britain's Ivy League were one of those bands which appeared in the wake of the Beat Boom and the Beatles and scored a couple of quick hits -- Funny How Love Can Be, then Tossing and Turning -- in '65. And that would seem to be it because a couple of key members left and . . . But there is more to their story that that. The band were Ken Lewis, John Carter and Perry Ford, and they... more >>
Added: 3 Jun 2011
Juanes: La Camisa Negra (2005)
Unless you follow Latin pop then La Camisa Negra/The Black Shirt might be the biggest hit you never heard by a global star don't even known about. Juanes from Colombia has sold 15 million albums, won 17 Latin Grammy awards and one Grammy. The album Mi Sangre (My Blood) which included La Camisa Negra (The Black Shirt) debuted at number one on the Latin Billboard charts, held that... more >>
Added: 2 Jun 2011
John Cale; Chinese Envoy (1982)
As with anyone who was there, I have a vivid memory of John Cale's show at the Gluepot back in September '83, and in fact I still have the poster ("Tickets sold! Limited door sales. Be early!") Cale's Sabotage/Live from '79 can't be topped for the sheer intensity he brings to material like the thrilling seven minute version of Mercenaries (play at full volume and then put on Pere... more >>
Added: 1 Jun 2011
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Harry Partch: And on the Seventh Day, Petals Fell in Petaluma (excerpt, date unknown, possibly Sixties)
When Tom Waits swerved left from his barroom piano ballads and into using new or found sounds on his clank'n'grind albums in the mid Eighties, he was hailed as an innovator . . . but conspiciously few followed him down that path. These days albums where musicians use unusual instruments are increasingly common and any number will name-check American composer/instrument builder and musical... more >>
Added: 31 May 2011
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The Warlocks: Can't Come Down (1965)
By the mid Sixties the spirit and style of poetic Bob Dylan was everywhere as singers and writers tried to match his surreal wordplay. Dylan's harmonica, image heavy lyrics and monotone is everywhere in this demo by the Warlocks out of San Francisco. Of all the Bob-copyists the Warlocks had the best claim to similar territory: they were heavily into acid, had made their own way to folk-rock... more >>
Added: 30 May 2011
Craig Scott: Smiley (1971)
It is a sad reflection on New Zealand's counter-culture that at the height of the war in Vietnam there were so few songs addressing the most important international event of that generation. Maybe because there was no conscription in New Zealand, but the musicians of the day were almost mute in their response to the war. And oddly enough the most widely played and discreetly delivered... more >>
Added: 26 May 2011
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The Hombres: Let It Out (Let It All Hang Out) (1967)
The great thing about disposable pop is that the minute it gets stuck to the bottom of your shoe you just can't shake it. Like this from the one-hit-wonders the Hombres out of Memphis whose members had knocked about on the road as the Daytonas then the Bandits. Written by two of the band's members, Let it Out (Let It All Hang Out) captures something of a stoned Dylan/country psychedelic... more >>
Added: 25 May 2011
3 Comments
Frank Zappa: I'm the Slime (1973)
The life, times, opinions and music of Frank Zappa are too huge and diverse to come to terms with easily. What is beyond question (and some of his music and opinions were questionable) is that the man had a rare and impressive musical reach -- from doo-wop to orchestral music and all points between and beyond -- and when he was in satirical mode he could be witheringly accurate. As a social... more >>
Added: 19 May 2011
The Newbeats: I Like Bread and Butter (1964)
This should come with a consumer warning: It's one of those songs you wake up with nagging away in the back of your brain, the song you can't shake and sticks with you all day. So you have been warned. The Newbeats from Shreveport, Louisiana were never destined for greatness or longevity. There was only so much you could do after a novelty hit sung in an irritating falsetto. But they... more >>
Added: 18 May 2011
Tom Verlaine: Souvenir from a Dream (1978)
After the exceptional Television fell apart in '78 following their classic debut Marquee Moon and the lesser Adventure, guitarist/singer and writer Tom Verlaine dropped from sight for a year. During that time he quietly went about recording his self-titled debut album in two and three day sessions. With a core of Television bassist Fred Smith and Patti Smith's drummer Jay Dee Daugherty... more >>
Added: 17 May 2011
Anthrax: Bring the Noise (1991)
It's hard to believe, but a radio station in New Zealand -- which always seemed to be playing car dealer ads and 20 year old Led Zeppelin on the rare occasions I tuned in -- had as its slogan "No crap, no rap". We can guess they weren't actually distinguishing between the two but by implication rap was crap. It must have come as a shock to them when Run DMC covered Aerosmith's... more >>
Added: 16 May 2011