From the Vaults

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Allen Ginsberg and Bob Dylan: Jimmy Berman (1971)

17 May 2012

Given they had so much in common -- a love of words, counterculture cachet, Jewish upbringing and so on -- it is a surprise poet Allen Ginsberg and Bob Dylan didn't write and record together more often. There was a session with poet Anne Waldman in 1968 (which had Arthur Russell on cello), others in '71 with a similar group (and a sitar player) and another in '81. Oddly enough it seems... > Read more

The Viscounts: Harlem Nocturne (1959)

16 May 2012

In the final month of the Fifties, the Viscounts covered this piece which Ray Noble and His Orchestra had introduced two decades previous. But to it the Viscounts brought a sleazy menace in the simple bass line and shimmering guitar behind a saxophone sound which comes at you from a shadowy back alley. It reeks of film noir sensibility. This moody track was included on the excellent... > Read more

Norman "Hurricane" Smith: Oh Babe, What Would You Say (1972)

15 May 2012

Norman Smith was an unlikely chart-topper when he knocked Elton John off the top of the US charts with this, his second single: he was 49 at the time and prior to that his career had been firmly on the other side of the microphone as an engineer and a producer. But what a career he had enjoyed. In his late 30s he'd been taken on as a sound engineer at EMI's studios in Abbey Road and was... > Read more

Status Quo: When My Mind is Not Live (1968)

14 May 2012

For the past 40+ years, Status Quo have been a heads-down boogie band in denims and "rockin' all over the world". So it's hardly surprising people would know them for nothing more than that enjoyably reductive style. However . . . For a few years in the late Sixties the original band (with the inevitable line-up changes) flirted with trippy hippie rock of the psychedelic... > Read more

The Saints: (I'm) Stranded (1976)

12 May 2012

Bob Geldof once observed, "Rock music of the Seventies was changed by three bands -- the Sex Pistols, the Ramones and the Saints". That the Saints out of suburban Brisbane -- hardly the home of rock music, let alone an angry and intelligent version -- should be in that illustrious company comes as no surprise to anyone who followed their career from this exceptional debut single,... > Read more

Sam Gopal: Escalator (1969)

11 May 2012    1

Everyone has to start somewhere, and most diehard Motorhead fans can tell you their mainman, the legendary Lemmy, was in the psychedelic spacerock outfit Hawkwind before he was kicked out for lifestyle, not musical, differences. They were on acid, he was on speed. But even before Hawkwind, Lemmy was in another band -- and it was an equally interesting one. In the late Sixties, Sam... > Read more

Cheryl Lynn: Got To Be Real (1978)

10 May 2012

If it weren't for Madonna's hit Vogue most people outside of New York wouldn't have known of this posturing late Eighties style which seemed to come with more attitude-dance than seemed healthy. Narcissism isn't pleasant at any time. But the music was something else and no musical style should be held to account because if its followers (or even its practitoners). The... > Read more

Felius Andromeda: Meditations (1967)

9 May 2012

There are a number of stories about John Lennon being so smitten by Procol Harum's Whiter Shade of Pale that he would play it over and over, often while tripping. This from a man whose band had just delivered Sgt Pepper's on an unsuspecting world? But Lennon was not so taken with the song's melding of classical allusions and dreamy lyrics that he went out and tried to replicate it, as any... > Read more

John Cage: Mushroom Haiku (date unknown)

8 May 2012

The American composer John Cage (1912 - 92) was best known for something he did in '52, which was nothing. The composition which he performed was entitled 4'33" and involved Cage sitting at a piano for exactly that duration and not playing a note. Since then the work has been much discussed by musicologists and comedians, and has been performed many, many times, and on a variety of... > Read more

The Music Convention: Bellyboard Beat (1968)

7 May 2012

Some years ago while researching and writing the liner notes to a series of New Zealand psychedelic collections put together by Grant Gillanders, I came upon this track . . . and just kept playing it. In '68, the Music Convention seemed trapped between two eras, the surf-rock guitar of the early Sixties and the psychedelic movement with its sitars and mind-bending possibilities. Rather... > Read more

The Tigers: Red Dress (1980)

5 May 2012

As the Warratahs embark on a 25th anniversary tour, it is timely to look back at this New Zealand band which brought country music into fashionable rock circles, and connected with that mysterious place known to city folk only as "the heartland". But why not look back further? Back to a band which had future Warratahs' singer-songwriter Barry Saunders and bassist-songwriter... > Read more

The J Geils Band: No Anchovies, Please (1980)

4 May 2012    2

The J Geils Band out of Massachusetts is best known for their terrific single Angel in a Centrefold (aw, c'mon, it's great, in a rock'n'roll Benny Hill way . . . see clip below) and Freeze Frame -- and in this country probably not a lot else. No one I know has ever had a J Geils Band album -- or has admitted to as much. I do. Just the one. It is Love Stinks (from the year before the... > Read more

The Flying Burrito Brothers: Wild Horses (1970)

3 May 2012

Few Rolling Stones songs have had such an interesting history -- right up to Susan Boyle's recent interpretation -- as this one. Keith Richards has always claimed the title was his; Mick Jagger insists the song came from the first words Marianne Faithfull said when she came arround from a failed suicide attempt in '69: "Wild horses wouldn't drag me away from you". The Stones... > Read more

The Tickle: Subway (1967)

2 May 2012

These none-hit wonders have quite a remarkable claim to fame, if fame can be reduced to a footnote in rock history. The Tickle from Hull were the backing band on the debut album of a guy called David Bowie. Doubtless they got the gig playing with an unknown singer through producer Tony Visconti who twiddled the studio knobs here. They were certainly up to the task of sounding prematurely... > Read more

Joe Tex: I Gotcha (1972)

1 May 2012

You could never say Joe Tex didn't live an interesting life, if being shot at by James Brown (who said Tex was copying his moves) constitutes something "interesting". Things weren't always quite so high profile and dangerous, none of his singles in his first decade caught the public's imagination but in the mid Sixties (after Brown had covered his Baby You're Right) he started to... > Read more

Peter Cook and Dudley Moore: The LS Bumble Bee (1967)

27 Apr 2012

From Stan Freberg and Peter Sellers through National Lampoon, the Rutles, Weird Al Yankovich and Spinal Tap, there has been a long tradition of skewering the foibles and excesses of pop culture. This piece appeared during the Summer of Love and took a poke at hippie culture, drugs and the infatuation with all things Indian. A rather obvious target and while this isn't up there with... > Read more

Jim Carroll: People Who Died (1980)

26 Apr 2012    1

When Jim Carroll died in September 2009 at age 60, it went largely unnoticed by the rock culture which had once embraced him, and spoken about this New York poet-turned-singer in the same breath as Patti Smith and Lou Reed. Carroll's rock career was admittedly short -- a few albums in the early Eighties and little else -- but his literary life was fascinating. And well known to the... > Read more

The Herd: From the Underworld (1967)

25 Apr 2012

It's not often Greek mythology cracks the top 10, but the Herd managed to do it with song from the autumn of love (September '67) which is based on the Orpheus and Eurydice story. After the death of Eurydice, Orpheus travels to the underworld and by using music he melts the hearts of the gods down there who agree to let the missus come back into life. The deal however is that she must walk... > Read more

William Burroughs: What Washington? What orders? (1953)

24 Apr 2012

As guest writer Andrew Schmidt noted in his Other Voices Other Rooms piece on writer William Burroughs, his influence has been profound on many areas of the arts. We might also note that he had an astute and cynical eye and ear for global politics, as in this reading from his collection Exterminator! The idea of the hologram British royal family in a television serial/soap opera might... > Read more

Roy Milton: The Hucklebuck (1949)

23 Apr 2012

The career of band leader, jump jive and rhythm and blues singer Roy Milton (1907-83) is long and convoluted, and full of crossover chart hits in the Forties and Fifties. His story is best told here, so let's just focus on this song -- which New Zealanders will recognise because it was given an upbeat overhaul in 1965 and became a chart hit for the hugely popular sister duo The Chicks out... > Read more