Essential Elsewhere

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Mink De Ville: Return to Magenta (1978)

24 Aug 2009  |  5 min read  |  4

The curious things about the life of Willy De Ville was not that he succumbed to pancreatic cancer in early August 2009, but that he had lived so long. He was 58 when he died -- but from the time he appeared on the post-punk New Wave scene in New York in the early Eighties he seemed to be destined for a short but bright flight. He was junkie, his first wife would pull a knife on rock... > Read more

Mink De Ville: Just Your Friends

Various: Cuba, I Am Time (1999)

22 Jun 2009  |  4 min read

When any art form has success, especially if it is unexpected, you can expect the ripples for a long time afterwards . . . and like ripples when a stone is thrown in a flat pond, they are of diminishing impact. So when Gladiator had phenomenal success you didn’t have to wait long for a slew of increasingly bad sword’n’sandal epics. And when the Buena Vista Social... > Read more

Clave y Guaguanco: La Voz del Congo

Mike Nock/Frank Gibson: Open Door (1987)

6 May 2009  |  2 min read  |  1

When expat pianist/composer Mike Nock and Auckland-based drummer Frank Gibson got together in '87 to record these duets both men were at interesting points in their respective but separate careers, but neither had played together much. Their sole recording together released prior to these sessions -- they had played on some Radio New Zealand programmes together with bassist Andy Brown --... > Read more

Mick Nock/Frank Gibson: Phaedra's Lullaby

Radiohead: The Bends (1995)

3 May 2009  |  4 min read  |  2

There is an easy and convincing case to be made for Radiohead's more obvious OK Computer of '97 -- or the even more edgy Kid A of 2000 -- as an Essential Elsewhere album. But The Bends was their turning point. This was the album which took them from the pop culture hit Creep (which appeared in the teen comedy Clueless where the main character's favourite music was by "the... > Read more

Radiohead: Sulk

Neil Halstead: Sleeping on Roads (2002)

19 Apr 2009  |  2 min read  |  1

Mojave 3 was one of the most oddly inappropriate names a band could have picked. Despite suggestions of deserts and Americana, they were British. And they based themselves in Cornwall, a less likely "Mojave" connection you couldn't find, especially in winter when the rain blows horizontal and the bed'n'breakfast hotels are silent and damp. The Mojave 3 - helmed by... > Read more

Neil Halstead: See You on the Rooftops

The Jimi Hendrix Experience: Electric Ladyland (1968)

12 Apr 2009  |  4 min read  |  2

There's a very good case to be made that The Jimi Hendrix Experience album of 1967 was the most accomplished and innovative debut of the rock era. (Indeed I hope I made the case for Are You Experienced at Elsewhere with my free-ranging, autobiographical essay Jimi Hendrix: In My Life). This was an album which changed the boundaries of what was possible on guitar -- and by extension in rock... > Read more

The Jimi Hendrix Experience: Rainy Day Dream Away

The MC5: The Big Bang! The Best of the MC5 (2000 compilation)

5 Apr 2009  |  3 min read  |  1

Writing against the tenor of these times, let it be said that sometimes there's no particular advantage in being first. Take Detroit's MC5. Essentially they made snotty, loud, politicised rock'n'roll. Like the Clash? Sort of - except of their era, which was, unfortunately for them, the confusing period at the start of which Magical Mystery Tour coincided with the Velvet Underground,... > Read more

The MC5: Teenage Lust

Charles Mingus: Thirteen Pictures, The Charles Mingus Anthology (1993)

8 Mar 2009  |  6 min read

Like Duke Ellington -- with whom he is most frequently (and fairly) compared for the vastness, depth and diversity of his recordings -- no single album could stand as emblematic of Charles Mingus, although many are certainly essential. In fact after The Wire magazine offered its primer on Mingus albums in early 2004 (14 albums under his own name, a Columbia Records compilation and a... > Read more

Charles Mingus: Goodbye Pork Pie Hat (1959)

Miles Davis: Kind of Blue (1959)

6 Feb 2009  |  4 min read

Take it from the Red Hot Chili Peppers' Anthony Kiedis. For slow romantic action when he wants to make out, it's the album he plays. Steely Dan's Donald Fagen likes the trance-like atmosphere it creates, and that it's "like sexual wallpaper." And jazz-rock guitarist John Scofield says that 35 years ago it was so common you knew the people next door would have a copy.... > Read more

Miles Davis: Blue in Green

Bruce Springsteen; Nebraska (1982)

31 Jan 2009  |  2 min read  |  1

From this distance it is hard to remember just how huge Springsteen was in the late 70s and early 80s: these days disco and punk/new wave get more pages in rock history books, but Bruce Springsteen deserves a chapter on his own. In the States alone Born to Run in '75 sold in excess of seven million, it's follow-up the more bleak Darkness on the Edge of Town three years later about half that... > Read more

Bruce Springsteen: Atlantic City (Live, 1993)

Fela Anikulapo Kuti: The Black President; The Best Best of Fela

24 Dec 2008  |  3 min read  |  1

The great Fela -- who died of Aids-related illnesses in 97 -- was a superstar in Nigeria. He single-handedly created incendiary and righteously angry Afrobeat by welding together James Brown funk and the politics of resistance with a huge horn-driven band . . . and no one since has been able to match him for driving, percussive music and on-stage energy.Fela's life was as interesting as... > Read more

Fela Anikulapo Kuti: Sorrow Tears and Blood

Kraftwerk: Trans-Europe Express (1977)

5 Nov 2008  |  2 min read  |  1

In the rush to acclaim Kraftwerk as electro-pioneers, it is often overlooked how they grew out of the German avant-garde/post-hippie prog-rock scene. As Organisation and on the first two Kraftwerk albums, founders Ralf Hutter and Florian Schneider (and others) engaged in long, almost free-form jams with Schneider playing flutes and bells. After their Ralf and Florian album however the two... > Read more

Kraftwerk: Showroom Dummies

Lou Reed: Berlin (1973)

1 Nov 2008  |  7 min read

Right from the beginning -- aside from a short period as a jobbing songwriter for the Pickwick label in ‘64-’65 -- Lou Reed’s lyrics had a literary quality. With the Velvet Underground his songs would take the listener to an immediate location (“standing on the corner . . .”) or conjure up characters (“she’s a femme fatale”) in the manner of... > Read more

Lou Reed: How Do You Think It Feels?

Van Morrison, It's Too Late to Stop Now (1973)

25 Oct 2008  |  4 min read  |  1

Anyone coming Johnny Rogan's thorough and sometimes exhaustive biography of Van Morrison, No Surrender, to find out why Morrison is such a curmudgeon will learn soon enough: it seems he has always been a grumpy, sullen and, when young, an occasionally violently surly character.  As a child he had lamentable social skills and was terribly uncommunicative. As a teenager,... > Read more

Van Morrison: Into the Mystic

Jackie McLean: Right Now! (1965)

16 Oct 2008  |  1 min read

The Reid Miles-designed cover of this album by altoist McLean is a Blue Note classic. The hammered-out typewriter font blown up large and the thump of the exclamation point hinted at - and the intense opener Eco confirmed - the tough music within. Altoist McLean, born in New York in 1932, studied with his neighbour Bud Powell and played with Thelonious Monk. By the time he signed to Blue... > Read more

Jackie McLean: Eco

Bob Marley: Songs of Freedom (1992)

17 Sep 2008  |  4 min read  |  1

Bob Marley was quite a man . . . nobody seems to have a bad word to say about him. Oh sure, a few wacko reactionaries got het up over the dope thing and tossed him into the Godless Heathen Corrupting Our Youth basket. But here was one spliff smoker who would run 10km before breakfast, was always keen to play a game of soccer and knew more scripture than most Anglicans. Interesting... > Read more

Bob Marley: Soul Rebel

Black Sabbath, Paranoid (1970)

11 Sep 2008  |  4 min read  |  1

There has always been an enjoyable if largely pointless debate about just who invented heavy metal: with Link Wray with The Rumble in ’58 or the Beatles with Helter Skelter a decade later? Blue Cheer for their classic album Vincebus Eruptum of ‘68? Led Zeppelin or Deep Purple? The answer is obvious, it really doesn’t matter. The fact is that heavy metal -- which a Creem... > Read more

Black Sabbath: Iron Man

Creedence Clearwater Revival: Bayou Country (1969)

1 Sep 2008  |  3 min read

Consider the landscape of rock in 1969, the year of Woodstock and flower power. The big names were Jefferson Airplane and the Grateful Dead; Led Zeppelin had arrived with two thumping albums; there were supergroups (Blind Faith, CSN&Young) and Jimi Hendrix was channelling lightning. Radio had moved to playing album tracks, many long and sprawling, and it wasn’t uncommon for an... > Read more

Creedence Clearwater Revival: Proud Mary

Liz Phair: Exile in Guyville (1993)

20 Aug 2008  |  3 min read

Tribute albums are far from uncommon these days. In fact when you see there are tributes to a band that never existed (The Rutles) and The Muppet Show you could argue this one has run its course. But still they come. Tribute albums to albums are rather more rare -- although there was the all-star collision (Celine, Rod, Faith Hill) on Tapestry Revisited which even had exactly the same... > Read more

Liz Phair: Glory

Genesis: The Lamb Lies Down on Broadway (1974)

20 Aug 2008  |  5 min read

While the jury will probably always be out on what was the first concept album in popular music -- a strong case has been made for Sinatra’s In the Wee Small Hours of 1955 -- the critical consensus about the first concept album in rock has formed around the Pretty Things’ SF Sorrow (’68) which predated the Who’s Tommy by a few months. Of course the Who had previously... > Read more

Genesis: The Grand Parade of Lifeless Packaging