Music at Elsewhere

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Lou Reed: The Raven (Reprise)

13 Mar 2003  |  1 min read

"These are the stories of Edgar Allen Poe, not exactly the boy next door," yelps a breathless-sounding Reed over dramatic, grinding guitar riffery at the start of this guest-heavy collection of diverse songs and spoken-word sections which explore the works of that peculiar, melancholic American writer with whom Reed feels great affinity. It's an unpromising start but, somewhat... > Read more

Lou Reed: The Fall of the HOuse of Usher (read by Willem Dafoe)

Ash: Intergalactic Sonic 7s (FMR)

29 Oct 2002  |  <1 min read

The power pop single was in safe hands with Northern Ireland's Ash, a young and feisty trio - and latterly quartet - who brought brittle, angry energy to the three-and-a-half minute, chart-aimed song. But singer-writer Tim Wheeler had a post-grunge sensibility, pop smarts to burn, and could astutely meld his influences (punk, Nirvana, bubblegum-on-speed, the Vapours' new-wave pop of Turning... > Read more

Human Instinct: Peg Leg (Rajon)

9 Sep 2002  |  <1 min read

As interesting for its back-story as the contents, this period piece has been rescued from dusty vaults. Auckland band Human Instinct scored with a couple of much sought-after classic Kiwi rock albums in the late Sixties/early Seventies, notably Stoned Guitar and Pins In It. In '75 the band - guitarist Phil Whitehead, keyboardist Steve McDonald and bassist/singer Zaine Mikkelson, and... > Read more

Dolly Parton: Halos and Horns (Shock)

18 Jul 2002  |  <1 min read

Dolly Parton has enjoyed a critical reappraisal these past few years for her excellent bluegrass and back-porch albums The Grass is Blue and Little Sparrow. She turned down that blowtorch voice and went back to her origins in traditional country, but also bought into the style of songs by Billy Joel, Steve Young and Cole Porter. On paper that looks like an appalling mix, but Parton's... > Read more

Dolly Parton: Little Sparrow (Sugar Hill)

18 Jul 2002  |  <1 min read

One person who has got better in recent years - but whose audience has diminished - is Dolly Parton who last week picked up a much-deserved Grammy for best bluegrass recording. Her last album The Grass is Blue took her back to the porch of her Tennessee childhood. Her new Little Sparrow keeps much the same winning team (Alison Krauss on backing vocals, Jim Mills on banjo ) for a... > Read more

Chuck E Weiss: Old Souls and Wolf Tickets (Ryko)

25 Jun 2002  |  1 min read

Some people are more rewarded for what they don't achieve rather than what they do. There are politicians whose gift is to keep their heads down, make no mistakes but do nothing of consequence, and wait for a position on a board.  That's in the nature of self-serving politics, perhaps. However it's more unusual for musicians who are assessed by the noise they make to be hailed as having... > Read more

Chuck E Weiss: Sneaky Jesus

Chris Isaak: Always Got Tonight (Reprise)

24 Feb 2002  |  <1 min read

The composed and moody Isaak isn't a guy you'd credit with a sense of humour but his TV show, sort of sitcom-cum-real life, was so self-deprecating he's going to get a fairer hearing round my way from now on. That said, little has changed since his last album four years ago — the humour injection notwithstanding — and here he still smoulders away of moody ballads and... > Read more

Chris Isaak: Life Will Go On

Gram Parsons: Warm Evenings, Pale Mornings, Bottled Blues (Raven)

30 Jan 2002  |  <1 min read

As Australian compiler Glenn A. Baker notes in the essay accompanying this excellent 21-track, 75-minute collection, country-rock visionary Parsons was never embraced by country audiences back in the late Sixties/early Seventies, and rock has remained largely indifferent to him since his death at 26 in September ’73. He's a man more honoured than played. Fortunately record... > Read more

Brass Buttons

From Scratch: Global Hockets (Scratch)

5 Dec 2000  |  1 min read

From their origins on PVC pipes and Jandals, through the incorporation of voices and here with the German electronic group Supreme Particles, From Scratch's explorations of rigorous and mathematically determined rhythm patterns has always been worth following. And the computer-percussion interface here offers them a richness of sound they explore fully within the technically narrow... > Read more

From Scratch: Global Hockets, Part Two (of a 10 part continuous performance)

Te Kupu: Ko Te Matakahi Kupu (Kia Kaha)

29 Jun 2000  |  2 min read

Dean Hapeta, of Upper Hutt Posse, always aimed for more than bragging and a catchy hook. He styled himself D-Word and has done spoken-word performances. His new nom de disque is Te Kupu (aka the Word). I guess that all confirms it: Word values the power of the word. As the volatile founder of the Upper Hutt Posse - sometimes favouring some of Louis Farrakahn's racist Nation of Islam... > Read more

Jimi Hendrix, Band of Gypsys: Live at the Fillmore East (MCA)

4 Jan 2000  |  1 min read

1969 was a bad year for Hendrix. Despite his superb Electric Ladyland double album at the tail end of the previous year, he still had an audience wanting to hear Purple Haze, was also frustrated with the Experience band and was looking for a new direction. in August 1969 he appeared at Woodstock with an expanded band line-up but that didn't work in subsequent studio sessions, so... > Read more

Power of Soul

Chuck E. Weiss: Extremely Cool (Ryko)

4 Jan 2000  |  <1 min read

The leisurely pace at which Mr Weiss releases albums makes the five-year gap between Blue Nile releases look positively hasty. This is his first since his debut 18 years ago. Made semi-legendary by Rickie Lee Jones’ early hit Chuck E's in Love and for being a Tom Waits protege boho-poet, here (under the production of Waits who co-writes and croaks along) Chuck delivers an... > Read more

Pygmy Fund

Randy Newman: Bad Love (Warners)

5 Nov 1999  |  1 min read

Never having subscribed to the theory Newman is an unalloyed genius means always having to say you are sorry. But if you, too, are of that persuasion, here's the album to tune in for. After years of writing soundtracks (with his own take on Faust along the way) Newman returns to his narrative style in songs which are typically cynical, ironic, funny and astutely observed viciousness.... > Read more

Dolly Parton: The Grass is Blue (Sugar Hill/Elite)

18 Jul 1999  |  <1 min read

Time was when double-barrelled Dolly was on a major label and hammering home the hits with Kenny Rogers. These days, and for some little while, she's been on minor labels and not many people would argue that making a bluegrass album is the way back to chart domination. But with a stellar cast of players - Jerry Douglas on dobro, Sam Bush on mandolin, Jim Mills on banjo and harmony... > Read more

Joni Mitchell: Taming the Tiger (Warners)

1 Jan 1999  |  1 min read

Joni Mitchell recently said she was so tired of being pitted against any "new Joni" woman singer who came along that she seriously considered retirement and devoting time to her painting (which has become very twee, if those works included in the booklet here are anything to go by). It's not promising, then, to read that the song which got her back on track was about her cat,... > Read more

The Beta Band: The Three EPs (EMI)

1 Jan 1999  |  <1 min read

This alarmingly good album released in late '98 -- made up from three impossible-to-find EPs by the Glaswegian quartet -- blurs the boundaries so much between pop and dub, art rock and folk that it goes well beyond convenient pigeonholing. Just call it extraordinary. And an immediate, if late, contender in the "albums of the year" stakes, but one which hasn't had enough time to... > Read more

The Beta Band: Dry the Rain

BOB DYLAN: LIVE 1966; THE BOOTLEG SERIES VOL 4 (1998): Cheers and jeers

1 Nov 1998  |  1 min read  |  1

Appropriately on the Columbia Legacy label, this double disc (Volume 4 in the on-going Bootleg Series) contains the whole of the famous "Royal Albert Hall" concert -- actually at the Manchester Free Trade Hall -- where a voice from the darkness yelled, "Judas." This is the stuff of legend, and the accusation from some aggrieved folkie that Dylan was betraying his... > Read more

Tom Waits: Bone Machine (Island)

11 Jan 1992  |  1 min read

In the early Nineties Jerry Garcia of the Grateful Dead observed that Bob Dylan still wrote the most beautiful tunes . . . didn't always sing 'em of course, but the melody was in there somewhere. With Bone Machine -- Waits' best album Rain Dogs in '85 and clear contender for album of the year in '92 -- Waits penned a a bracket of melancholy, beautiful ballads which recalled his best... > Read more

Tom Waits: Earth Died Screaming