Cultural Elsewhere

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DOUGLAS LILBURN CONSIDERED (2013): Are friends electronic?

10 Jan 2014  |  4 min read

Most musicians with any intellectual integrity or curiosity -- unless they happen to be in Status Quo or ZZ Top -- will change direction or style at some point in their career. Maybe - as in the cases of David Bowie, Miles Davis and a few others -- a number of times. But very few -- not even Bowie when he traded LA and cocaine for Berlin and austerity in the Low/Heroes period -- made such a... > Read more

Cicadas, Oscillators and Treefrogs

DARKSIDE by TOM STOPPARD: The difference between right and wrong, innit?

6 Dec 2013  |  2 min read

Among the more crazy things which some serious stoners believed -- and they believe most things -- was that if you cue up Pink Floyd's Dark Side of the Moon album with the film The Wizard of Oz there are some weird parallels of music and image which might lead you to think . . . The question to be asked about this is simple: Who first did that? (Follow-up question: Why?) The useful... > Read more

SOUTHSIDE ARTS FESTIVAL (2013): We fly in the face of fashion

16 Oct 2013  |  2 min read

The annual Southside Arts Festival shines the spotlight on the arts, culture and communities of South Auckland where the population is predominantly Polynesian and Maori. This year's festival which runs from tomorrow (October 17) to November 3 takes place in various venues and features everything from hip-hop and graffiti to  art exhibitions, dance and design, drama and  "the... > Read more

THE FLYING DUTCHMAN, REVIEWED (2013): The power and the passion

11 Oct 2013  |  2 min read

Although in later life Richard Wagner may have overstated the importance of The Flying Dutchman – first staged in 1841 – in the long arc of his career, there is no doubt it represented something of a breakthrough for him after the more traditional Rienzi. Wagner's shift from overt drama to internal narrative and psychological turmoil certainly gives The Flying Dutchman a... > Read more

THE NEW SOUNDS OF AOTEAROA: The finalists for the Maioha Awards at the 2013 Apra Silver Scroll

9 Oct 2013  |  4 min read

New Zealand's annual APRA Silver Scroll awards, held this year at Vector Arena in Auckland on Tuesday October 15, acknowledge the strength and diversity of New Zealand songwriters, but also include the Sounz award for contemporary classical works (the finalists, with musical examples are here) and the Maioha award for Maori songwriters. The finalists for the 2013 APRA Maioha Award are . . .... > Read more

THAT SOUNZ DIFFERENT: The APRA nominees for the 2013 Sounz Contemporary Award

7 Oct 2013  |  1 min read

In recent years the annual APRA Silver Scroll award night for songwriters has expanded into acknowledging New Zealand finest contemporary classical compositions, and to acknowldge these composers we include their work here. “SOUNZ is thrilled that APRA provides this opportunity to recognise recent New Zealand compositions and highlight their outstanding levels of creativity and... > Read more

STAGE DESIGNER ZOE ATKINSON INTERVIEWED (2013): Getting to grips with Wagner's Flying Dutchman

16 Sep 2013  |  5 min read  |  1

Australian set and costume designer Zoe Atkinson explodes with laughter, mock horror and a frisson of fear when I tell her she has just given me my headline. “No, you can't say that,” she shrieks. We'd been talking about how her seven-year old son hadn't been able to see her very adult previous production of Richard Strauss' Elektra for the West Australian Opera... > Read more

THE FLYING DUTCHMAN: Wagner, economy size

13 Sep 2013  |  4 min read

Some years ago when I interviewed Paul Simon, I brought up a topic I knew he'd be uncomfortable with. His Broadway play The Capeman. The show – which had cost US$11 million by some estimates – was savaged by critics, the public stayed away and the thing folded after just 68 performances. It was by no means the biggest flop on Broadway –- Kelly in '65 lasted just... > Read more

Act II: Ach mochtest du-wie aus der ferne

RIENZI IN ROME: The man, the madness and the music

8 Sep 2013  |  5 min read

Rome hadn't seen anything like him before, this strutting little fanatic who was so gifted with words he could move a crowd to mass action. A born propagandist, he was often invited into the homes of the wealthy for their amusement as they listened to him rant over the dinner table. But when he finally took complete power---without a hand raised against him---he ruled with ruthless... > Read more

RAVI SHANKAR INTERVIEWED (1998): In the house of the master

18 Aug 2013  |  19 min read  |  1

The apology couldn’t be more profuse. Three times Sukanya Shankar giggles self-consciously and says, “It's my fault,” each time following it with a litany of “sorry, sorry”. She had forgotten to tell her husband of this appointment, she says, and now he is teaching in the music room of their secluded home in the hills of Encinitas in balmy southern... > Read more

CHARLES DICKENS' LONDON TODAY (2012): Lowered expectations

4 Aug 2013  |  4 min read

The end of the back garden at Charles Dickens' birthplace (right) in Portsmouth was shaved off in the Seventies for the M275 which aims north to the A3 for London. A shame – although Dickens, a “navy brat” in current parlance, only lived here for five months – but perhaps emblematic. By coincidence, the cul-de-sac in front of Dickens' first home -- then... > Read more

BILL SEVESI (2013): The sound of the Pacific

25 Jul 2013  |  3 min read  |  1

The wonderful Bill Sevesi is 90 as I write, and he has two compilation CDs out, each from a different record company. And each compiler -- working with Bill -- had plenty of music to choose from so there is no overlap . . . and room for quite a few more collections from this genius of lap steel guitar. Bill Sevesi has been featured at Elsewhere previously (notably in this profile) so... > Read more

Sleep Walk

MARK CROSS PROFILED (2013): The outsider looking outward

18 Jul 2013  |  6 min read

Odds are Mark Cross was among the oldest in the audience at the recent concert by American nail-hard metal rockers Tool. And probably the only artist. More than a decade ago he heard Tool's Enema and was taken by the lyrics “I'm praying for waves . . . flush it all away . . . learn to swim” which related to conversations he was having with the American writer Brad Matsen... > Read more

REVOLUTION, COMING RIGHT AT YA: The message in the music

29 May 2013  |  3 min read

In the on-going American discussion about "the right to bear arms", the flashpoints usually come from another shooting in a high school, a lone gunman on a rampage or what the Founding Fathers actually meant to say when they drafted the Constitution. Perhaps an interesting point of focus might be what happened in the late Sixties/early Seventies which is recent history . . . but... > Read more

The Creator Has a Master Plan (1970)

JOHN PULE IN NIUE (2013): The homecoming

12 May 2013  |  5 min read

John Pule pushes aside another tangle of thick branches, steps through the ankle-grabbing undergrowth, scans the ground which is strewn with coconuts then peers closely into the green canopy above. We're in thick and humid bush but he pushes on across the slippery limestone, further and further away from the narrow track which has lead him here. After more fruitless searching he... > Read more

YVES SAINT LAURENT (2013): Our man in Marrakech

3 May 2013  |  6 min read

While there's no argument about the genius of fashion designer Yves Saint Laurent, the jury is still out over his artwork. In my family, at least. After a visit to Jardin Majorelle in Marrakech – one of his former homes with partner and business manager Pierre Berge – I observed his posters in the Galerie Love (heavily laden with the word “love”) looked like... > Read more

CARAVAGGIO, MAN AND MYSTERY (Arts Channel doco): The cut and thrust of art

13 Mar 2013  |  4 min read

Few 17th century artists engage the modern audience in quite the same way as the man known as Caravaggio. He was, by contemporary accounts, an aggressive knife-carrying and swaggering figure, an innovative but volatile painter who spent time in prison for various assaults and profanities. Then – while painting some of the most exceptional work of his period – he murdered a... > Read more

VIKY GARDEN INTERVIEWED (2013): See me, feel me . . .

11 Mar 2013  |  8 min read  |  2

For more than 20 years Auckland artist Viky Garden has worked away from the mainstream of the New Zealand art world. Hers isn't a name that crops up regularly in general arts coverage and yet her self-portraits in solo exhibitions and group shows have won her a dedicated following. She has gallery representation in New Zealand, Britain and the US, and in 2011 she was a finalist in the... > Read more

CURATOR GAIL BUCKLAND INTERVIEWED (2012): It's not only rock'n'roll

11 Nov 2012  |  10 min read

Chrissie Hynde of the Pretenders – appropriately wiry and driven, often in black, her signature fringe below her eyebrows – once said, “presentation is half of it in rock'n'roll. It's not just the music – there's music and there's attitude and there's the image”. From the uninhibited Elvis Presley captured by the camera when lost in the moment on stage in... > Read more

Gimme Shelter

MONA GALLERY, HOBART: Outsider and irritant art

7 Oct 2012  |  5 min read

The afternoon I arrive in Hobart to visit the Museum of Old and New Art (MONA), Germaine Greer is at the Queensland launch of the Brisbane Writers Festival claiming half of those in the state couldn't read a newspaper of follow the instructions on a medicine bottle. Twitterworld gets frenzied, writer Les Murray says he wouldn't “turn aside from a good urination to listen to... > Read more