WE NEED TO TALK ABOUT . . .

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WE NEED TO TALK ABOUT . . . EVIE SANDS: Ever the bridesmaid

9 Nov 2020  |  3 min read

When the pub quiz question comes up, be prepared: The guy who wrote Wild Thing, Chip Taylor, is the brother of actor Jon Voight and therefore the uncle of Angelina Jolie. For bonus points, he also wrote the country song Angel of the Morning which was a big hit for Merrilee Rush and further popularised by Olivia Newton-John and Juice Newton. Unfortunately it wasn't a hit for the first... > Read more

Women in Prison

WE NEED TO TALK ABOUT . . . LOLA FALANA: Her name was Lola, she was a showgirl . . .

23 Sep 2020  |  3 min read

When the singer-dancer-actress Lola Falana arrived in New York in the early Sixties with, by her account just US$26 in her pocket, she took whatever dancing jobs she could get, mostly in Harlem clubs. And it was in one such place that she was spotted by Sammy Davis Jnr. In quick succession she appeared in his Broadway musical Golden Boy, recorded her debut single My Baby, appeared in... > Read more

WE NEED TO TALK ABOUT . . . DEUTSCHE WERTARBEIT: Presenting, the one and only . . .

9 Sep 2020  |  4 min read

For way more than a decade, the sole album attributed to Deutsche Wertarbeit – which translates from the German as “German Craftsmanship” or “German quality” – was almost impossible to find. And even when it was finally reissued on CD in the mid Nineties it went past most people.  Released in 1981 and locating itself somewhere between... > Read more

Der Grosse Atem

WE NEED TO TALK ABOUT . . . COTTON MATHER'S KONTIKI: But it sounds like everyone, or nothing, else!

2 Sep 2020  |  3 min read

Back in 1999 when the US band Cotton Mather's second album, Kontiki, finally got release in Britain, a fan wrote to Mojo magazine and said, “the singer does his best damn Lennon Stars in His Eyes I've ever heard. If the Beatles had been influenced by Nirvana instead of Little Richard and Motown they might have sounded like this”. Mojo itself had called the album –... > Read more

WE NEED TO TALK ABOUT . . . DANNY GATTON: Known unto God and guitarists

24 Aug 2020  |  3 min read

When Danny Gatton committed suicide on October 4, 1994 – exactly a month after his 49thbirthday – his passing went largely unacknowledged in the music press, although many fellow guitarists and musicians from across the spectrum lamented his death. There would be no subsequent Greatest Hits package because he'd had none . . . although there would be as many posthumous... > Read more

WE NEED TO TALK ABOUT . . . THE MAMAS AND THE PAPAS: Trip, stumble and fall

5 Jul 2020  |  6 min read

When we look at the cast of misfits, murderers and murder victims, oddballs and eccentrics in our articles at WE NEED TO TALK ABOUT, you'd be entitled to ask why Rock and Roll Hall of Famers and hit-makers The Mamas and the Papas should be in such strange company. By way of explanation, let us start at the end. In fact, let's start after the end . . . Because in the real world the... > Read more

Creeque Alley

WE NEED TO TALK ABOUT . . . JESSE BELVIN: Joining the club

26 Jun 2020  |  3 min read

The list of those 27-year olds who went to join what Kurt Cobain's mother called "that stupid club" received Amy Winehouse in 2011, and when she died there were any number of writers who noted the list of those of that age who'd gone: Robert Johnson, Brian Jones, Jimi, Janis, Jim, Badfinger's Pete Ham . . . And of course Jesse Belvin. Jesse Belvin was one of the most gifted... > Read more

Guess Who (1959)

WE NEED TO TALK ABOUT . . . UTOPIA'S DEFACE THE MUSIC: So, ummm, that happened

25 May 2020  |  2 min read

It's a very odd thing to observe, but Utopia – the prog-rock band lead by Todd Rundgren from the mid Seventies – kind of did the Beatles' career in reverse gear. They went from ambitious and full blown stadium-sized prog on their debut as Todd Rundgren's Utopia – the opening Theme is over 14 minutes, The Ikon on the second side a tidy half hour – into small... > Read more

Everybody Else is Wrong

WE NEED TO TALK ABOUT . . . VIRGIN RECORDS: From prog to punk, Bells to Bodies

20 Apr 2020  |  3 min read  |  1

Although a considerable amount of other music happened in New Zealand during the Eighties – and some still feel aggrieved their effort and output goes under-acknowledged – there was a reason why the Flying Nun label dominates the conversation, then and now. Between its first singles in '81 (Pin Group, Clean) and the end of 1990, according to the label's founder Roger Shepherd in... > Read more

WE NEED TO TALK ABOUT . . . LIBBY HOLMAN: Sex, scandal, shooting and suicide

30 Mar 2020  |  3 min read  |  1

When they found singer Libby Holman dead in her Rolls Royce of carbon monoxide poisoning in 1971, her suicide brought an end to a life marked by scandal, sexual promiscuity, one dead husband and a murder trial, overt bisexuality, the death of a son, depression . . . and some pretty steamy blues songs, although among her repertoire was the uncharacteristically domestic Cooking Breakfast for the... > Read more

Why Was I Born?

WE NEED TO TALK ABOUT . . . FRANK ROSOLINO: The night the lights went out

9 Mar 2020  |  3 min read

He doesn't really deserve to be in the same company as the misfits, oddballs, eccentrics and the certifiably crazy-psychotic musicians in this on-going series We Need to Talk About . . . But the wonderfully expressive jazz trombonist Frank Rosolino is here because, in the early hours of November 26 1978, he did something so unexpected and unthinkable it shook the world, and most... > Read more

Twilight

WE NEED TO TALK ABOUT . . . THE COMFORTABLE CHAIR: Much admired but short-lived psychedelic folk

27 Jan 2020  |  3 min read  |  1

Let's throw around the names of a few fans of this band out of California in the late Sixties. First we might mention Jim Morrison of the Doors who “discovered” them. And famous producer Lou Adler was so keen that he signed them to his Ode label. They were also in-house artists at the Bliss production company formed by John Densmore and Robbie Krieger of the Doors who... > Read more

WE NEED TO TALK ABOUT . . . ABNER JAY: Play dem bones and skulls

15 Dec 2019  |  2 min read

There is an interesting photo of singer and one-man band Abner Jay in the late Seventies playing at what is described as a folk festival. As he pours his all into whatever song has captured him, by his side is a young girl playing the bones. That is, she has what looks like the skull of a horse or cow strung around her neck and she is playing it with what appears to be a femur. The... > Read more

My Testimony (1963)

WE NEED TO TALK ABOUT . . . THE TRONS: Tune up, plug in and turn on

28 Oct 2019  |  2 min read

Some weeks ago Elsewhere posted a clip of this extraordinary and possibly unique band out of Hamilton (aka "The Tron") in New Zealand onto Facebook. They seemed to have disappeared so we asked: “What happened to this band? Musical differences?” The answers were interesting, someone suggested clashing egos, another thought... > Read more

WE NEED TO TALK ABOUT . . . PILOT: They're only the band the Beatles had once been

18 Oct 2019  |  4 min read

In the absence of the knock-about lovable mop top Beatles of A Hard Day's Night – who were moving on from Rubber Soul to Revolver, drugs, Sgt Pepper and moustaches – it was necessary to invent them again for a teeny-bopper audience. And so in '65 filmmakers Bob Rafelson and Bert Schneider did. Hence the Monkees. And when the... > Read more

WE NEED TO TALK ABOUT . . . BARRY GOLDBERG: From lost in the basement to Light in the Attic

30 Sep 2019  |  4 min read

The cobwebs are brushed back to reveal a door with a rusty lock. It gives way to a hefty shove and the light from the flaming torch illuminates rows of dusty boxes and there in one way at the back – far behind records by Wendy Rene and Lewis and the Emersons – is an album in, appropriately, a sepia-toned cover. It shows a man standing on a wooden bridge in what looks like... > Read more

City Rain

WE NEED TO TALK ABOUT . . . BUTTERBEANS AND SUSIE: Dat ol' black magic?

23 Sep 2019  |  4 min read

These days we are used to artists taking a few years between albums – although some were surprised Blue Nile took seven years between Hats and Peace at Last. But for the Vaudeville comedy/song-and-dance duo of Butterbeans and Susie it was a full 30 years between their last songs for Okeh in 1930 (You Dirty Mean Mistreater among them) until their return to the studio in 1960. And... > Read more

WE NEED TO TALK ABOUT . . . LIZZY MERCIER DESCLOUX

16 Sep 2019  |  3 min read  |  2

So who was it rocked into downtown New York in the mid Seventies with her head full of Rimbaud? Who fell in with the CBGB crowd, had Richard Hell as a partner who saw her as his muse, and whose aesthetic ran from poetry and music to art and film? And who wasn't Patti Smith? Lizzy Mercier Descloux from Paris arrived in New York when the city was – unbeknownst to itself at... > Read more

Tso Xin Yu Xin

WE NEED TO TALK ABOUT . . . HASIL ADKINS: Howling at the night

27 May 2019  |  2 min read

Whatever his style was, fame had no interest in embracing it. The closest this rockabilly blues screamer -- who started in the mid Fifties -- came to wider recognition was when the Cramps covered his song She Said and some of his music appeared in the film White Lightin'. But for Hasil (pronounced "hassle"), he just had to make do with juke joints and bars, and being a punk rocker... > Read more

She Said (1955)

WE NEED TO TALK ABOUT . . . SPELLING ON THE STONE: The King is dead, long live the king?

20 May 2019  |  1 min read

Of the innumerable "Elvis is Alive" hoaxes, the song Spelling on the Stone of 1989 has to count as having one of the best/funniest back-stories. So let's get this right: Elvis wanted you to believe he was just pretending to be dead . . . but he really wanted you to know he was alive by singing this song? That just like, sooooo, doesn't work. Right?  Good song though:... > Read more